A Quote by John Grisham
Right from the start, I loved the works of Mark Twain. Every time I read about Tom Sawyer, I'd go out and do something low-level naughty, just like him.
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My mum was never too keen on TV, so we kids all went to the library and got books out. Right from the start, I loved the works of Mark Twain. Every time I read about Tom Sawyer, I'd go out and do something low-level naughty, just like him.
I first read 'Tom Sawyer' when I was in 8th grade, 13 years old. I realised since that Mark Twain just bottled what it felt like to be a child.
You don't know about me, without you have read a book by the name of 'The Adventures of Tom Sawyer,' but that ain't no matter. That book was made by a Mr. Mark Twain, and he told the truth, mainly.
Mark Twain didn't psychoanalyze Huck Finn or Tom Sawyer. Dickens didn't put Oliver Twist on the couch because he was hungry! Good copy comes out of people, Johnny, not out of a lot of explanatory medical terms.
You don't know about me without you have read a book by the name of The Adventures of Tom Sawyer; but that ain't no matter. That book was made by Mr. Mark Twain, and he told the truth, mainly. There was things which he stretched, but mainly he told the truth. That is nothing. I never seen anybody but lied one time or another, without it was Aunt Polly, or the widow, or maybe Mary. Aunt Polly—Tom's Aunt Polly, she is—and Mary, and the Widow Douglas is all told about in that book, which is mostly a true book, with some stretchers, as I said before.
Titian and Rembrandt, Monet and Rodin, Frank Lloyd Wright and Le Corbusier, Mark Twain and Henry James, Robert Frost and Elizabeth Bishop, to name a few. Twain wrote 'Tom Sawyer' at 41 and bettered it with 'Huckleberry Finn' at 50; Wright completed Fallingwater at 72 and worked on the Guggenheim Museum until his death at 91.
In my early teens, I read every bound volume of the magazine Punch. Every writer of any distinction in the English language, and I mean including America and England, at some time wrote for Punch. Jerome K. Jerome, who wrote Three Men In A Boat, I loved. I was very impressed when I read a piece by Mark Twain in Punch, and realized that despite the fact that they were on different continents, Jerome K. Jerome and Mark Twain had the same kind of laconic, laid-back, "The human race is damn stupid, but quite interesting" attitude. They were almost talking with the same voice.
What I'm worrying about is what Tom is going to say when he starts talking." "Uncle Tom?" "I wish there was something else you could call him except 'Uncle Tom,' " Aunt Dahlia said a little testily. "Every time you do it, I expect to see him turn black and start playing the banjo.
Mark Dawidziak is as comfy and entertaining a tour guide through the world of Mark Twain as Twain himself was a tour guide through the world. In other words, Mark Twain’s Guide is such a fun read that the only thing dry about it is the ink.
This act of empathy, that women go through from the time we're little girls - we read all of literature, all of history, it's really about boys, most of it. But I can feel more like Peter Pan than Tinker Bell, or like Wendy. I wanted to be Tom Sawyer, not Becky. And we're so used to that act of empathizing with the protagonist of a male-driven plot. I mean, that's what we've done all our lives. You read history, you read great literature, Shakespeare, it's all fellas, you know?
Samuel Clemens isn't Mark Twain. Mark Twain is Mark Twain. He doesn't become the thing until he creates himself.
Bob Hope, like Mark Twain, had a sense of humor that was uniquely American, and like Twain, we'll likely not see another like him.
Like every child growing up in America, I read 'The Adventures of Tom Sawyer' and 'Huckleberry Finn.' I liked them well enough, but I didn't love them.
Justice. To be ever ready to admit that another person is something quite different from what we read when he is there (or when we think about him). Or rather, to read in him that he is certainly something different, perhaps something completely different from what we read in him. Every being cries out silently to be read differently.
If you play Mark Twain and he's not funny, you are definitely not playing Mark Twain. That was the biggest challenge, in some ways. Writing and performing jokes that can come out of that brilliant delivery system he constructed: the friendly, avuncular truth-teller.
A lot of novelists start late-Conrad, Pirandello, even Mark Twain. When you're young, chess is all right, and music and poetry. But novel-writing is something else. It has to be learned, but it can't be taught. This bunkum and stinkum of college creative writing courses! The academics don't know that the only thing you can do for someone who wants to write is to buy him a typewriter.
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