A Quote by John Grisham

Sometimes I can tackle an issue -homelessness, tobacco litigation, insurance fraud, the death penalty - and wrap a good story around it. These are the best books, the ones with a story and a message.
I always try to tell a good story, one with a compelling plot that will keep the pages turning. That is my first and primary goal. Sometimes I can tackle an issue-homelessness, tobacco litigation, insurance fraud, the death penalty-and wrap a good story around it.
It's sometimes hard to wrap your head around a big story, and for most of us drawing editorial cartoons 9/11/ 01, that was the biggest story of our professional lives.
I think you can tilt too far to the side of the story where the message is just simply entertainment. So I think your goal has to be to craft in one sentence what the truth is you are trying to convey. And then you find or create a story that you wrap around that truth.
The biggest government waste: The death penalty. An individual death-penalty case could climb to $100 million, much of it spent at the litigation level. Also, DNA evidence has exonerated nearly 300 death-row inmates.
In Europe, when tobacco was first introduced, it was immediately banned. In Turkey, if you got caught with tobacco, you had your nose slit. China and Russia imposed the death penalty for possession of tobacco.
As a culture, we believe that if we kill something, we've killed the issue. That's why so many books end with death, why so many plays end with death, because it's full resolution. I'm always curious to know what happens after Romeo and Juliet die. In a way, that's the beginning of the story. Maybe beyond the story is even better.
I never try to give a message in my books. It's about living with characters long enough to hear their voices and let them tell me the story. Sometimes I would love to have a happy ending, and it doesn't happen because the character or the story leads me in another direction.
I found that the death penalty? - ?and I'm not a hot-button issue person, you know, I'm not a single issue person? - ?but what I think drew me to the death penalty is because it raises some very deep, fundamental questions like: Is anybody beyond redemption?
I could hardly sit through 'Frozen.' There was an attempt to craft a moral message and to build the story around that, instead of building the story and letting the moral message emerge. It was the subjugation of art to propaganda, in my estimation.
The ‘experimental’ writer, then, is simply following the story’s commands to the best of his human ability. The writer is not the story, the story is the story. See? Sometimes this is very hard to accept and sometimes too easy. On the one hand, there’s the writer who can’t face his fate: that the telling of a story has nothing at all to do with him; on the other hand, there’s the one who faces it too well: that the telling of the story has nothing at all to do with him
There are books full of great writing that don't have very good stories. Read sometimes for the story... don't be like the book-snobs who won't do that. Read sometimes for the words--the language. Don't be like the play-it-safers who won't do that. But when you find a book that has both a good story and good words, treasure that book.
I think that people have to have a story. When you tell a story, most people are not good storytellers because they think it's about them. You have to make your story, whatever story it is you're telling, their story. So you have to get good at telling a story so they can identify themselves in your story.
Ideally, anything one writes should have a social conscience: if you can write a story that thrills, and with a good message, that's the perfect type of a story.
Advertising is the best insurance that you can take out on your business. You can buy fire insurance on your stock of goods, but no company will issue a policy covering your business, the good will as they sometimes call it. You must insure yourself, and the best way to do it is by advertising. Good advertising kept up for a number of years gives you something that no fire can take away.
Every story is a story about death. But perhaps, if we are lucky, our story about death is also a story about love.
The Work always leaves you with less of a story. Who would you be without your story? You never know until you inquire. There is no story that is you or that leads to you. Every story leads away from you. Turn it around; undo it. You are what exists before all stories. You are what remains when the story is understood.
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