A Quote by John Guare

Every play is so important. It's a record of what life was like at the time you wrote that play or that book. — © John Guare
Every play is so important. It's a record of what life was like at the time you wrote that play or that book.
Manual Lynn? Find out what that is. He wrote every single word in the play, and then everyone just rapped their parts. Imagine if like, Eminem wrote a play, that's what it sounded like to me.
I like to play football, and of course I like to play for Tottenham, but I try to enjoy every game because that's the most important thing, to have fun on the pitch, and then you can play good.
I'm happy that I wrote 'How Should a Person Be?' and I wouldn't have written that exact book if we had just done the play. So much of the book is about the anxiety of failure - the failure of the play and the failure of the divorce and the failure of not feeling like a good person.
The first record I bought was a Carl Perkins record, because I saw him at The Festival at Sandpoint, Idaho. I loved Elvis and I found out that he wrote 'Blue Suede Shoes'... so connecting that experience of going to see him play was pretty awesome. That's when I realised I wanted to play guitar.
We still play three or four hits every night. Now, we don't play them like the record. We try to find new ways to do it.
Don't play everything (or every time); let some things go by... What you don't play can be more important than what you do.
In fact, the element of play has an important role in my life, and I think that should be the case in the life of every artist. Our life is occupied with playing, whether we play an instrument or a role.
Every time a player goes out to ply his trade he's got to play from the ground up - from the soles of his feet right up to his head. Every inch of him has to play. Some guys play with their heads. That's O.K. You've got to be smart to be Number One in any business. But more important, you've got to play with you heart - with every fiber of your body. If you're lucky enough to find a guy with a lot of head and a lot of heart, he's never going to come off the field second.
Every time I get to lace up my shoes, I am happy. Every time I see my jersey and I get to put it on, I feel like a kid in the candy store. Every time I get the chance to play, I am going to play.
Sacred space and sacred time and something joyous to do is all we need. Almost anything then becomes a continuous and increasing joy. What you have to do, you do with play. I think a good way to conceive of sacred space is as a playground. If what you're doing seems like play, you are in it. But you can't play with my toys, you have to have your own. Your life should have yielded some. Older people play with life experiences and realizations or with thoughts they like to entertain. In my case, I have books I like to read that don't lead anywhere.
We play the music we want to play and we play the places we want to play. I'd hate to be on the usual record company where you get an album out and you do a tour, and you do all the Odeon's and all the this that and the others. I couldn't just do that at all.
That person who's going to a concert for a nostalgic reason, we're not really going to placate. We still play three or four hits every night. Now, we don't play them like the record. We try to find new ways to do it.
Buzzing at the Sill is from a Theodore Roethke poem called "In a Dark Time." I'd heard a small part of it in a play, a sort of sci-fi play about morality in a virtual reality universe. Nothing to do with the book precisely, but it was a great play.
NBA is totally different in style. In NBA, we play much more aggressive, much harder. It's not time for thinking. In Europe, we play every week, one game. Here we play every second day so if you lose, you don't have time to think about losing. Just go forward.
When I wrote 'East,' I wanted a completely earthy, very sexy, very violent play, so I wrote in verse. I found it not only satisfying but releasing. It gave me an opportunity to play with language. We never played the characters like the yobs that they are, but rather in a slightly heightened way.
The spirit of playful competition is, as a social impulse, older than culture itself and pervades all life like a veritable ferment. Ritual grew up in sacred play; poetry was born in play and nourished on play; music and dancing were pure play....We have to conclude, therefore, that civilization is, in its earliest phases, played. It does not come from play...it arises in and as play, and never leaves it.
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