A Quote by John Guare
I'm sure there are some good dramaturgs but I've never worked with one.
Related Quotes
I, too, am deeply concerned with an overarching idea that dramaturgs are now authors . . .. I am not taking the position that all dramaturgs own copyright, deserve special billing credit, or should receive remuneration akin to that of the playwright. I know from my ears at the Dramatists Guild that almost everyone a writer encounters has suggestions of how to write and rewrite the play or musical to make it work.
It`s probably fair to say I have taken myself too seriously on some jobs. I`m sure I`m more guilty of being difficult than I`d like to remember. I don`t regret my desires; I`ve regretted the way I would communicate my desires. Maybe I`ve lost a job because of some rumor, I doubt it. But nobody good that I`ve worked with has ever said anything negative about me, because we`ve never had a negative experience. By good, I mean directors who do their homework, people that are passionate, crazy, never sleep, and do like I do and just go after it.
There are some directors I should have worked with. I`d like to have worked with Robert Altman - I turned him down a couple of times when I was younger. My thing now is if it`s a good director I`ll never say no - I`m just gonna say yes from now on.
I think that some of these plays are lost in this new horror called development, which is a place for dramaturgs to say "let me tell you what your play means," and the life gets sucked out of a play.
I worked for John Ford, Howard Hawks, Henry Hathaway, Raoul Walsh - I worked for some real good directors.
I had hardly begun to read I asked how can you ever be sure that what you write is really any good at all and he said you can't you can't you can never be sure you die without knowing whether anything you wrote was any good if you have to be sure don't write
I think Jive was just a shady label that they didn't want artists in the same room like, 'Hey, what you making?' Like I never worked with R. Kelly, I never worked with Q-Tip. I never worked with anybody that was on Jive. I never did a song with KRS-One.
Some actors really like to do only a few, some like Casey [Affleck] will do as many takes as there is electrical power. At some point, you'll say, "Listen, I think it's really good." And he'll say, "You sure? You sure? There's not some other way we should try it?"
I'm quite happy with the body of work that I've done, and I've done some really good work over the years that I'm proud of. I'm proud of some of the people that I've worked with, been lucky to have worked with.
I'm formally trained, I don't know what classically trained really means. I've worked with Sanford Meisner. And I've worked at Circle Rep with Marshall W. Mason and Lanford Wilson and some really good people. I was lucky. I had a lot of really good influences.
I've worked alongside some very good directors and some not so good.
As a woman in sport media, you have to be smart. You use what you can to your advantage and make sure you know what you're talking about or you're A) not going to last very long or B) never going to get a good job. I think we've come a long way and probably still have a ways to go, but... I just don't take any of this super seriously. I'm not curing cancer and I'm not a doctor. It's just television. I don't know why some people get so worked up about it.
I have worked on very good movies that have been buried, and I've worked on some resounding mediocrities that have been paraded through the marketplace like they were masterpieces.
I've worked for some amazing leaders, and I've worked for the opposite, and that gave me the perspective of what I knew I never wanted to be, and the perspective of what had lasting, sustainable impact.
I've worked with Jack Nicholson and Robert De Niro and Tom Hanks. I've worked with some really good directors: Woody Allen, Paul Schrader... My God, I've really worked with a lot of people. But I'm intimidated by them, and I'm always thinking, "Oh, my God, he's not going to like me, and I'm going to get fired."
I had no idea that all the things in my career were going to happen. I sure didn't see it. I just know the good Lord blessed me with ability, blessed me with good eyesight and a good pair of hands, and then I worked at the rest.
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