A Quote by John Guare

The life of a dancer is tragically short. What is remarkable about the New York City Ballet is that it makes us forget that. Because it keeps the ballet alive. — © John Guare
The life of a dancer is tragically short. What is remarkable about the New York City Ballet is that it makes us forget that. Because it keeps the ballet alive.
I knew I wanted to be a ballet dancer, but what kind, I wasn't sure. My two dream companies had been New York City Ballet and American Ballet Theater.
In 1998, Vanity Fair asked me to write a big piece for them on the 50th anniversary of the New York City Ballet. My life, to a great extent, had been spent at and with the New York City Ballet, and I decided to try it. It was very scary, writing about something I loved so much and had such strong opinions about.
Before founding Ballet Beautiful, I was a ballerina with the New York City Ballet.
I actually was a ballet dancer - I studied ballet from three until 13 - but like very seriously, that's what I wanted to do. I wanted to be a contemporary ballet dancer. I wanted to go to Juilliard.
I think that every year that the New York City Ballet is alive is worthy of celebration. Because otherwise the terrible thing is just that we take it for granted.
When I was 8, I began to study ballet. In seventh grade, my mother took me into New York to study at the School of American Ballet. I loved ballet - its precision, the escape from uncertainty, and the music.
I've never danced professionally as a ballet dancer, but all of my training is ballet, and I am a Fosse dancer.
I originally wanted to be a ballet dancer and trained for years, but when I was around 18, I realized I wasn't going to be as good a ballet dancer as I'd hoped I'd be and decided to become an actress instead.
How can you live the high life if you do not wear high heels? I don't understand why women wear these ballet pumps. They are only good if you walk like a ballet dancer, and only ballet dancers do that.
The New York City Ballet is always about the realm of possibilities, the realm of what the human body can do, what the human spirit can do. And it's about listening, it's about listening to remarkable music and how we respond to that.
In the Royal Ballet Company, there was a Japanese principal dancer, and onstage and in ballet, they have colorblind castings - so I did see Asian dancers, and they were always my favorite. When you have someone who looks like you, it's something you can kind of grab onto, and it makes you feel better about your place in the world.
However, the moral center of New York City, I believe, is the New York City Ballet.
Does the New York City Ballet affect other places? Yeah, it lets people know they should come to New York.
I went away when I was 9 to a ballet school. I thought I wanted to be a dancer, but eight years of ballet cured me of that.
There is something about Dior that reminds me of New York City Ballet. They both have a classic, glamorous basis but are trying to evolve the arts in new and innovative ways.
When I was 3 years old, my parents put me in ballet and I really thought I was gonna be a ballet dancer for a long time.
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