A Quote by John Hall
I think everyone holds back. I am always censoring myself and I'm sorry about it. But I always have to consider whether my remarks might cause someone pain.
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I go through fan mail myself, but I think I might get them censored, because I'm always expecting to get the one thing that says, 'I know where you live and I'm going to kill you!' I'm always expecting that to come, but it never seems to arrive. I never get any negative mail, so someone must be censoring them.
I think I've said sorry to practically everyone the whole way through my life. I am always saying sorry.
I am a very approachable and personable person, and I always put myself last. Whether it's family or friends, I always think about them first.
My aim was always to come back and prove myself because that is the type of character I am. Whether I get the chance is another thing, but I always want to prove myself.
I've had my fair share of incidents with law enforcement, whether they're saying smart remarks, condescending remarks to downplay who I am and what I can afford... It's something that made me stronger on the back end of it, and learned from those instances.
I may cause someone to feel badly, not because I'm doing something to them, but because the way in which I see might cause pain. But I am not doing the hurting.
My philosophy on writing a song for myself is that I always, always, always want to write a song. I always want to write a song. I realize that as a record producer or a singer or whatever I might not, if I recorded on myself or someone else, the first time out I might not give it the right treatment, so that the world or many people will accept it and it'll be a public hit, or anything like that.
Honestly,I don't think we could be here only by myself and SS501. It's all your love and support that put us here. I've always thought that I am much more loved than I deserve,so I always think 'I should've done better' to you guys and I tried but it is much smaller than the love TripleS give us. I'm very sorry about that.
When I think about whether I want to take a job, I don't just think about whether it's technically interesting, although I do consider that. I also consider the question of whether it's good for the world.
Everything I do is somehow rooted in humanity. It's always about people; it's always about ego. It's always about desperation. It's quite existential. You know, 'Am I leading a good life?' That might be because I'm an atheist, and I think this is all we've got, so you better be nice. And have fun.
When I leave the theater I can always hear people talking about the character, and everyone always says, "You know, I know someone like her." And I always think, Everyone knows someone like the characters; nobody is like the character. Nobody wants to admit that they are a little bit like that.
To try and imagine that I'm another person is always going to be hard - whether I'm writing about a truck driver or someone who is gay, who's trans, who is of a different ethnicity or creed. But it would be boring if I always had to write about myself and my limited viewpoint.
The problem with waiting for someone, whether that wait is an hour or a lifetime, is everyone's 'clock' is different. So what you might consider forever is only a little while to them, or vice versa.
I'm always like that about everything. When I try to do something, I always think, "What is the best way to do this?" Instead of taking what everyone else says and how it has been forever, it's faster for me to try myself. Of course I listen to what everybody says, and at first I'll try what people say, but I always come back to trying it my way.
I'm always trying to ask myself both "Who am I as an individual?" and "What are the cultural forces that have made me the person that I am?" How can I understand myself as a cultural creature as well as an individual? I'm really obsessed with that question, and always asking my students to consider it.
In the central cases of physical pain, then, it appears that at least part of what is bad about our condition is the way it makes us feel. Here there seem to be no problems with a purely mental state account, no counterpart to the experience machine that could bring us to think that we are being deceived by mere appearances. [...] If I am suffering physical pain then I can be quite wrong about the organic cause of my affliction, or even about whether it has one, without that error diminishing in the slightest either the reality of my pain or its impact on the quality of my life.
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