A Quote by John Hart

Art, after all, is traditionally displayed against vacancies: paintings on dun walls, sculptures in empty spaces, music in quiet halls. — © John Hart
Art, after all, is traditionally displayed against vacancies: paintings on dun walls, sculptures in empty spaces, music in quiet halls.
I don't collect art at all. I'm fascinated by art. I receive a lot of presents. My house is full of things, but I am not a collector; it's just that people I work for, and friends, give me a lot of things. There are pictures all over the walls, sculptures, mobiles and paintings. I am embarrassed because I wonder what I should do with them.
Entering into the spirit of this interior, you will discover the best possible atmosphere in which to show fine paintings or listen to music. It is this atmosphere that seems to me most lacking in our art galleries, museums, music halls and theaters.
My interest in art must have started with my Catholic upbringing. Art was everywhere: churches with its paintings, sculptures, stained glass, textiles, and fine metalwork.
Art begs you to notice it. Why? Because art is God's way of saying hello. So pay attention to poetry. Pay attention to music. Pay attention to paintings and sculptures and photo exhibits and ballets and plays. Don't let all this go unnoticed. Your world is shouting out to you, revealing something intrinsically glorious about itself. Listen carefully. Love art, the way art loves life.
Drawings, paintings, and sculptures. That's the three pillars of art academia.
The spectacle of the sky overwhelms me. Im overwhelmed when I see, in an immense sky, the crescent of the moon, or the sun. There, in my pictures, tiny forms in huge empty spaces. Empty spaces, empty horizons, empty plains - everything which is bare has always greatly impressed me.
The relationship between art and a job is not quite linear, but I really love any and all manifestations of art, really respect any kind of artistic impulse, whether it's paintings and sculptures or really good filmmaking or music. I really see the relationships between these different mediums as very fluid.
People who put my paintings on their walls are putting their values on their walls: faith, family, home, a simpler way of living, the beauty of nature, quiet, tranquillity, peace, joy, hope. They beckon you into this world that provides an alternative to your nightly news broadcast.
The art of mastering life is the prerequisite for all further forms of expression, whether they are paintings, sculptures, tragedies, or musical compositions.
I think about my art works as paintings, because they refer to the history of painting. I also have to think about them as sculptures, because every part of the process is part of the project. They're sculptures because they play on the idea of what should be hanging in a gallery. In that sense they're also kind of ready-mades.
It's great that New York has large spaces for art. But the enormous immaculate box has become a dated, even oppressive place. Many of these spaces were designed for sprawling installations, large paintings, and the Relational Aesthetics work of the past fifteen years.
My paintings are very strange - large and empty, like walls. Just the opposite of my writing, which is rich and juicy.
All art, from the paintings on the walls of cave dwellers to art created today, is autobiographical because it comes from the secret place in the soul where imagination resides.
If you look at the paintings that I love in art history, these are the paintings where great, powerful men are being celebrated on the big walls of museums throughout the world. What feels really strange is not to be able to see a reflection of myself in that world.
My art originates from hallucinations only I can see. I translate the hallucinations and obsessional images that plague me into sculptures and paintings.
Empty Spaces:After his father died he carried his life more gently & left an empty space for the birds & other creatures.
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