A Quote by John Hartford

Mike Compton knows more about Bill Monroe style mandolin than the Father of Bluegrass himself. — © John Hartford
Mike Compton knows more about Bill Monroe style mandolin than the Father of Bluegrass himself.
Well, Peter Rowan and I had plans to form a band when he left Bill Monroe. I always thought it was going to be a bluegrass band, but I guess when Peter left Bill Monroe he had had enough of bluegrass. He had written some songs and of course the Beatles were a big influence back then. So, we decided to something different and it ended up being that.
I have no doubt that most people who listen to Alison Krauss and say they like bluegrass have never heard real bluegrass played in the traditional manner, and probably don't even know who Bill Monroe is.
I think Earl Scruggs playing propelled bluegrass and Bill Monroe's music to the level that - where we're all still talking about it.
I was never into the Bluegrass, Bill Monroe and stuff like that.
When I was 12 years old I discovered Bill Monroe and my dad got me a mandolin.
Bill Monroe is not singing about life in America. He's singing about life in Kentucky and Tennessee. And yet it's had this tremendous impact, not just in America but in the world. Why is Bill Monroe's hyper-regional music so universal? We can be so different and yet still share a tremendous amount.
I rightfully respect Killer Mike a hundred percent. He knows my father; he's known my father for years.
I had some good teachers. One of the greatest teachers I've had is bluegrass music: going back and listening to Bill Monroe's music, the Stanley Brothers, Flatt & Scruggs. When I was with Ralph Stanley I learned a lot from him.
My dad's a photographer, and my sister is a writer and a poet. My little brother is a mandolin player - he's a bluegrass musician. It's always been a part of the family.
An actor knows much more about a character than the character knows about himself.
I was always into bluegrass as a kid. Basically, I like music that has a basic simple structure and that has a lot of emotion and feel. Bluegrass and other old time music fits the bill, as well as what became punk - they both kind of have a similar framework.
It's true that bluegrass is a virtuosic form and asks that of its performer. Old-time music is older rawer and purer. It's less stylized. We don't solo. Well sometimes we do, but it's different it has more to do with rock-and-roll than bluegrass does.
There's only one Hank Williams, man. Singing that high-voiced style, them bluegrassers, I don't see how they do it - Jimmy Martin, Bill Monroe - it's just a natural thing, man.
One of my best friends, Mike, had a kid. Just seeing him go through it all was inspiring. It would be so nice to care about someone more than yourself. And Mike is a total delinquent, so if he can do it, I figure I can, too.
We are not what we seem. We are more than what we seem. The actor knows that. And because the actor knows that hidden inside himself there's a wizard and a king, he also knows that when he's playing himself in his daily life, he's playing a part, he's performing, just as he's performing when he plays a part on stage.
Kendrick Lamar is from Compton, but his Compton and how he expresses that is completely different than NWA and Eazy-E even though they were from the same environment.
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