A Quote by John Harvey Kellogg
Do you know, that is the root of the whole trouble - has been one of the roots at any rate - is people hearing things and then imagining some more and magnifying it and multiplying it.
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If you know you can do it - if you can already chart every day in your future - then why bother? Choose to do something you have more trouble imagining. Take a chance.
The Chinese philosopher Chuang-Tzu stated that true empathy requires listening with the whole being: The hearing that is only in the ears is one thing. The hearing of the understanding is another. But the hearing of the spirit is not limited to any one faculty, to the ear, or to the mind. Hence it demands the emptiness of all the faculties. And when the faculties are empty, then the whole being listens. There is then a direct grasp of what is right there before you that can never be heard with the ear or understood with the mind.
Well, one of the things I should tell you is that if you look at the very long sweep of history what you see is that the rate of growth has been speeding up, the rate of progress, and that's because there's more and more people who are all engaged in this process of discovery.
Religions have been universal in the sense that all the people we know anything about have had a religion. But the differences among them are so great and so shocking that any common element that can be extracted is meaningless.... The older apologists for Christianity seem to have been better advised than some modern ones in condemning every religion but one as an impostor, as at bottom some kind of demon worship or at any rate a superstitious figment.
In the industrial world we have the problem of having more productive capacity than we know what to do with. That's at the root of the unemployment crisis: we've got so productive at making things, we don't require people to be involved in making the basics of life any more. Or nearly as many people.
I don't know but a book in a man's brain is better off than a book bound in calf--at any rate it is safer from criticism. And taking a book off the brain, is akin to the ticklish & dangerous business of taking an old painting off a panel--you have to scrape off the whole brain in order to get at it with due safety--& even then, the painting may not be worth the trouble.
I have a lot of trouble with scripts. I have a lot of trouble imagining things while I'm reading them.
Now, the world is more than it seems to be. You know this, of course, because you read stories. You understand that there is the surface and then there are all the things that glimmer and shift underneath it. And you know that not everyone believes in those things, that there are people—a great many people—who believe the world cannot be any more than what they can see with their eyes. But we know better.
The importance of detachment from things, the importance of poverty, is that we are supposed to be free from things that we might prefer to people. Wherever things have become more important than people, we are in trouble. That is the crux of the whole matter.
I start out to write five days a week, and then it runs to six days and finally seven. Then, eventually, that wave of weariness overwhelms me and I don't know what's the matter. That is, I know but I won't admit it. I'm just tired from writing. As you get older, writing becomes harder. By that I mean you see so many more potentialities. Things like transition used to trouble me. But not any more. When I say it's harder, I'm not talking about facility. You learn all the so-called tricks, but then you don't want to use them.
My African heritage is a part of reggae music roots, and the concept is that the album, 'Revelation Part 1: The Root of Life' is a tribute to roots reggae music. The fruit is what blossoms into different colors and shades, but the root has to stand predominant.
People say, "I'm tired of hearing about the war in Iraq. I'm tired of hearing about it." And it makes me realize how few people have deeper connections with it, as far as knowing people who have come back paralyzed or who have died, or families that have been affected . . . If they had a connection to it, then they wouldn't be tired of hearing about it.
Hollywood is the same as any other place when it comes to love, marriage, and divorce ... some people have trouble staying married and some people have trouble staying single.
I do believe the world is a pretty sad, troubled, and violent place. Maybe that's why I focus on the trouble. Even though there are good people and good things, there's also a bunch of messed up stuff. And I learned early on, you have to have some trouble in your stories. I definitely go overboard on that, but I have a lot more fun writing about the trouble.
Most trouble is unnecessary. Between the indignity of being born and the agony of dying enough bad things must of necessity happen to people. But we can't be satisfied with that. We have to go to work and see how much additional trouble we can create. Misunderstanding, turmoil, effort put on all the wrong things, and then more misunderstanding.
I don't think an actor needs to necessarily go through his things to do his job. I think it's way more important to imagine. And then, when you're imagining, your experiences, your images and your own personal things will show up, but you keep imagining. You don't get stuck in your own personal things, otherwise you are telling your story in every character, and that's not interesting for anybody.
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