A Quote by John Hawkes

As an actor you have to have a strong vivid imagination as you're working and when the camera's rolling, but there's certainly a part of you that is aware of real life, that you're making a movie.
You don't want to be the guy whose back's to the camera in the emotional part of the movie. So, you have to be aware of the camera movement and what the camera's doing.
A huge part of what we do as actors is learning to ignore the camera, as if it's not even there, while simultaneously being very aware of the camera and what it's capturing, because you can give the best performance of your life, but if you do it with the back of your head facing the camera, it's going to get cut from the movie.
I work primarily for the camera-it's not something I really talk about a lot, but it's part of the way I am as a movie actor. The camera is my girl, as it were.
If the experience of reality matters, than nothing is going to be better than dreaming. Because dreams feel real to everybody while they are happening. Some people have vivid imagination, some not so vivid, but everybody has vivid dreams.
Being an actor in movies is a lot about the power of your imagination and making the circumstance real to you so the audience will feel that it's real.
The terrible tragedy for every director is to watch an actor do what you want and not have the camera rolling - and never get it back again. So I always try to roll the camera before anybody's really ready.
I'm not making a movie about the real people. I'm making a movie about what they did, and what happened to them. But I will create characters so that I can have the freedom to make them say and do what I want. The real-life journalists were fine with that.
Film, television, and working with a camera is such an intimate art form that if a camera is right on you, and I've got your face filling the screen, you have to be real. If you do anything that is fake, you're not going to get away with it, because the camera is right there, and the story is being told in a very real way.
Lying about one's sexuality seems to be one of the ridiculous rules of what constitutes being a Hollywood movie star. Obviously, my own experience of working and continuing to work as an out gay actor is exactly that - working as an actor and not as a movie star. I don't think the two are the same.
I enjoy working on a movie that lets your imagination run wild, it’s great to be a part of and watch.
I enjoy working on a movie that lets your imagination run wild, it's great to be a part of and watch.
Once you turn on the camera, making a movie is making a movie. I don't care if it's $9 million dollars or $50 million dollars. You have bigger toys, bigger set, actors who are better paid, but once you turn on the camera, it's director and performance, and I don't find a big difference.
I became really aware that when you're making a movie, you're making it three times. You're making it when you're writing it. You're making it when you're shooting it. And then you're remaking it again when you're editing it.
You risk working with this director, you risk making this movie, you risk working with another actor you don't know. It makes your heart beat faster. And it keeps you interested.
I probably became an actor because of my vivid imagination, and doing voice-over really sort of takes me back to that.
In general, working on a horror movie is no different than working on any movie. Turn the camera around and there's 20, 30 people standing around, eating doughnuts, smoking cigarettes between takes, working, like any other set.
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