A Quote by John Hawkes

Starting in the mid-'80s, I played in a band called Meat Joy, and we made our own record, toured. — © John Hawkes
Starting in the mid-'80s, I played in a band called Meat Joy, and we made our own record, toured.
In the year after we signed with I.R.S. we made a record, started our own tour, toured with the Police, and our record went to No. 1. It was insane.
We've played with Black Flag, Bad Brains, Minor Threat, The Ramones. You name any punk band and we've probably played or toured with them all the way up to and including Soundgarden, who we've toured with three times now. We also toured with Metallica for a year. But yeah, Megadeth was the only one we were a little sketchy about because um, it was a little sketchy.
As musicians, we are quite literally singing for our supper. Don't get me wrong, I love touring, but the reality is that our idols from the '70s and '80s never toured this hard. They'd do a record, have one big world tour, maybe two, then break to do another record.
Well, we didn't have our original drummer on our last record. And most of that album was not played as a band in the studio. It was mostly the world of computers and overdubs. There was very few things played live or worked out as a band.
For 10 years, I had a band called Steel Train. We made three albums. We toured like crazy.
I just got a band together in mid-2012, and we played our first show in October of that year.
I made this record in the late '80s called 'Diamonds and Dirt,' and it was a big hit. It had five No. 1's, and it was my commercial peak, really.
You don't accidentally turn into a big band. Not even Nirvana accidentally turned into a big band. They toured - they wanted to become a big band. They didn't necessarily want to become that big of a band, but they still wanted to make a really good record and wanted to come out and tour.
I was in a bluegrass band. I made two records with a band called the SteelDrivers. They were nominated for two Grammys. I then I was in a rock band called the Junction Brothers; we made kind of '70s hard rock music.
I started in a band called 'Timbiriche', we toured the world when I was 8; I have 23 albums.
I started in a band called Timbiriche, we toured the world when I was 8; I have 23 albums.
We try and stay out of the corporate side of it. The band has never compromised. At some point in our career we could have made a certain type of record and sold millions of units, as they are called.
As far as the people that have inspired me, they're the people that I have played with the most. For example, the record that I made called Virtue, there was a wonderful band and a wonderful drummer by the name of Ludwig Afonso and a wonderful bass player by the name of Armando Gola.
I do not want and will not take a royalty on any record I record. I think paying a royalty to a producer or engineer is ethically indefensible. The band write the songs. The band play the music. It's the band's fans who buy the records. The band is responsible for whether it's a great record or a horrible record. Royalties belong to the band. I would like to be paid like a plumber. I do the job and you pay me what it's worth.
We've done every record on our own. Its produced by our guitar player and sometimes we'll have some help mixin' it and have some outside engineers but for the most part, it's done by the band and I think that's the reason why CKY sounds like no other band, 'cause we make our own albums.
I think I'm just trying to show a more mature side of the band and I think we've really come into the sound of our band. With every album we've grown, but I think this is just a really good picture of where we are right now and how we feel our music represents us. Under the thumb of other record companies we haven't had as much creative control and I think with this record we really did our own thing.
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