A Quote by John Henry Newman

The world is content with setting right the surface of things. — © John Henry Newman
The world is content with setting right the surface of things.
Technology creates the context for persuasion, but content persuades. Technology helps get content to the right people at the right time. The content still has to influence. Delivering the wrong content at the right time is as bad as delivering the right content at the wrong time.
There is this looking at the world as shapes and patterns and colors that have meaning, and you can't deny the superficial because the superficial is what meets the eye. The content can never be disconnected from the surface, and this active interest in surface can never be disregarded from the good art that we admire.
While you are experimenting, do not remain content with the surface of things.
I believe that the brain has evolved over millions of years to be responsive to different kinds of content in the world. Language content, musical content, spatial content, numerical content, etc.
It is only after you have come to know the surface of things ... that you can venture to seek what is underneath. But the surface of things is inexhaustible.
I think you can get happiness through making a real difference in other people's lives by setting out to make other people's lives better and setting out to right the wrongs in the world.
I would like to mention some preparations that were required of me. The first preparation is to take a right attitude toward life. This means, stop being an escapist! Stop being a surface liver who stays right in the froth of the surface. There are millions of these people, and they never find anything really worthwhile. Be willing to face life squarely and get down beneath the surface of life where the verities and realities are to be found. That's what we are doing here now.
If things look right on the surface the underside is rarely questioned. However, things may be great in reality, but if one perceives them to be amiss, it is difficult to change that perception.
The stream at the end of your street can be a place where you make contact with this whole other amazing world hidden right there beneath the surface. Fishing can be the passport to that world.
When I'm writing a book, generally I start with the mood and setting, along with a couple of specific images?things that have come into my head, totally abstracted from any narrative, that I've fixated on. After that, I construct a world, or an area, into which that general setting, that atmosphere, and the specific images I've focused on can fit.
The really funny comedies to me are always the ones that are played the straightest or given the most emotional content. And when people start making faces and setting things up and commenting and winking at you, I don't find that to be very funny.
I think when tragic things happen it is on surface. It is like the ocean. One the surface a waves and sometimes the wave is very serious and strong. But it comes and goes, comes and goes, and underneath, the ocean always remains calm. Tibetans have a saying: "If bad news comes to you listen here" (points to the right ear) "and let it our here" (points to the left ear).
I just love real characters; they're not pretentious, and every emotion is on the surface, they're regular working people. Their likes, their dislikes, their loves, their hates, their passions; they're all right there on the surface.
You can't get at the thing itself, the real nature of the sitter, by stripping away the surface. You can only get beyond the surface by working with the surface. All that you can do is manipulate that surface - gesture, costume, expression - radically and correctly.
Surface is a modernist concept. What surface does is to encourage one to see the painting as object rather than as a window on the world.
Photos have no narrative content. They only describe light on surface.
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