A Quote by John Herschel
...Nature builds up her refined and invisible architecture, with a delicacy eluding our conception, yet with a symmetry and beauty which we are never weary of admiring.
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Beauty is our weapon against nature; by it we make objects, giving them limit, symmetry, proportion. Beauty halts and freezes the melting flux of nature.
Nature is a light, and by looking at Nature in her own light we will understand her. Visible Nature may be seen in her visible light; invisible Nature may become visible if we acquire the power to perceive her invisible light.
Is it indeed from the experience of beauty and happiness, from the occasional harmony between our nature and our environment, that we draw our conception of the divine life.
Nature! We are surrounded by her and locked in her clasp: powerless to leave her, and powerless to come closer to her. Unasked and unwarned she takes us up into the whirl of her dance, and hurries on with us till we are weary and fall from her arms.
The book of nature is a fine and large piece of tapestry rolled up, which we are not able to see all at once, but must be content to wait for the discovery of its beauty, and symmetry, little by little, as it graduallly comes to be more and more unfolded, or displayed.
Though nature is constantly beautiful, she does not exhibit her highest powers of beauty constantly, for then they would satiate us and pall upon our senses. It is necessary to their appreciation that they should be rarely shown. Her finest touches are things which must be watched for; her most perfect passages of beauty are the most evanescent.
The law of right-left symmetry was used in classical physics but was not of any great practical importance there. One reason for this derives from the fact that right-left symmetry is a discrete symmetry, unlike rotational symmetry, which is continuous.
The strong experience of nature... is the necessary basis for all conception of art on which rests the grandeur and beauty of all future work.
Beauty is rather a light that plays over the symmetry of things than that symmetry itself.
Without beauty a girl is unhappy because she has missed her chance to be loved. People do not jeer at her, they are not cruel to her, but it is as if she were invisible, no eyes follow her as she walks. People feel uncomfortable when they are with her. They find it easier to ignore her. A girl who is exceptionally beautiful, on the other hand, who has something which too far surpasses the customary seductive freshness of adolescence, appears somehow unreal. Great beauty seems invariably to portend some tragic fate.
To him whom contemplates a trait of natural beauty, no harm nor despair can come. The doctrines of despair, spiritual or political servitude, were never taught by those who shared the serenity of Nature. For each phase of Nature, though not invisible, is yet not too distinct or obtrusive. It is there to be found when we look for it, but not too demanding of our attention.
Poltinus the Platonist proves by means of the blossoms and leaves that from the Supreme God, whose beauty is invisible and ineffable, Providence reaches down to the things of earth here below. He points out that these frail and mortal objects could not be endowed with a beauty so immaculate and so exquisitely wrought, did they not issue from the Divinity which endlessly prevades with its invisible and unchanging beauty all things.
Nature is thoroughly mediate. It is made to serve. It receives the dominion of man as meekly as the ass on which the Saviour rode.It offers all its kingdoms to man as the raw material which he may mould into what is useful. Man is never weary of working it up.
And so we smile on, Feeding the truths we share With a union of our souls, Cathedral slaves of our passion Which builds beauty amongst chaos.
We've been fighting from the beginning for organic architecture. That is, architecture where the whole is to the part as the part is to the whole, and where the nature of materials, the nature of the purpose, the nature of the entire performance becomes a necessity-architecture of democracy.
This bored fantastic woman, with her animal nature, giving herself the pleasure of seeing her enemy struck down, not a particularly keen one for her because she is so weary of having all her desires satisfied.
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