A Quote by John Hersey
All morning they watched for the plane which they thought would be looking for them. They cursed war in general and PTs in particular. At about ten o'clock the hulk heaved a moist sigh and turned turtle.
Related Quotes
I'm not a T.G.I.F. guy. I get off a plane at 2 o'clock in the morning and I'm looking for my secretary because I want to know what's going on.
There is a great difference, whether the poet seeks the particular for the sake of the general or sees the general in the particular. From the former procedure there ensues allegory, in which the particular serves only as illustration, as example of the general. The latter procedure, however, is genuinely the nature of poetry; it expresses something particular, without thinking of the general or pointing to it.
Yes, there's such a thing as luck in trial law but it only comes at 3 o'clock in the morning. You'll still find me in the library looking for luck at 3 o'clock in the morning.
There are some good people. But a good chunk of them will lie for no reason at all - it'll be ten o'clock and they'll tell you it's nine. You're looking at the clock and you can't even fathom why they're lying. They just lie because that's what they do.
War is thus divine in itself, since it is a law of the world. War is divine through its consequences of a supernatural nature which are as much general as particular. War is divine in the mysterious glory that surrounds it and in the no less inexplicable attraction that draws us to it. War is divine by the manner in which it breaks out.
There is an Indian story -- at least I heard it as an Indian story -- about an Englishman who, having been told that the world rested on a platform which rested on the back of an elephant which rested in turn on the back of a turtle, asked (perhaps he was an ethnographer; it is the way they behave), what did the turtle rest on? Another turtle. And that turtle? 'Ah, Sahib, after that it is turtles all the way down
The three-o'-clock in the morning courage, which Bonaparte thought was the rarest.
While I can’t have you, I long for you. I am the kind of person who would miss a train or a plane to meet you for coffee. I’d take a taxi across town to see you for ten minutes. I’d wait outside all night if I thought you would open the door in the morning. If you call me and say ‘Will you…’ my answer is ‘Yes’, before your sentence is out. I spin worlds where we could be together. I dream you. For me, imagination and desire are very close.
I was going to be a writer, and that turned into journalist. And then that turned into a career in children's literature, which turned into early childhood education, which turned into psychology, which turned into premed, which turned into nursing school, which turned into communication, which turned into marketing and advertising.
Instead of gambling on the eternal impossibility of the revolution and on the fascist return of a war-machine in general, why not think that a new type of revolution is in the course of becoming possible, and that all kinds of mutating, living machines conduct wars, are combined and trace out a plane of consistance which undermines the plane of organization of the World and the States?
I open with a clock striking, to beget an awful attention in the audience - it also marks the time, which is four o clock in the morning, and saves a description of the rising sun, and a great deal about gilding the eastern hemisphere.
I am speaking to you from the Cabinet Room at 10 Downing Street. This morning the British Ambassador in Berlin handed the German Government an official note stating that unless we heard from them by eleven o'clock, that they were prepared at once to withdraw their troops from Poland, a state of war would exist between us. I have to tell you now that no such undertaking has been received, and consequently this country is at war with Germany.
I protest that if some great Power would agree to make me always think what is true and do what is right, on condition of being turned into a sort of clock and would up every morning before I got out of bed, I should instantly close with the offer.
There's a basis for the war, historically, in the 'Hunger Games,' which would be the third servile war, which was Spartacus' war, where you have a man who is a slave who is then turned into a gladiator who broke out of the gladiator school and led a rebellion and then became the face of the war.
'Changes in Latitudes' began when I was looking at a photograph of a sea turtle swimming underwater. I had such a strong feeling for the beauty of this ancient creature, at home in the sea. On the spot, I wanted to swim with that turtle. I began to imagine a character who would do just that.
King-sized? It would take up all my space. I need wide-open spaces." She glanced at Kane for help, but he was rolling around on a matress and moaning in a loud, orgasmic manner. She rolled her eyes and heaved a sigh.
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