A Quote by John Hiatt
I see you over there, just clinging to the wall. Because they told you like ivy you were bound to crawl. But you kept looking up, girl, and I know why. You knew someday you were gonna touch the sky.
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Someday girl, I don't know when, were gonna get to the place where we really want to go, and we'll walk in the sun. But til then, tramps like us, baby, we were born to run.
It's just become such a business, getting into college. I see that a lot in my friends, their parents were so on top of them about getting into an Ivy League school since they were so young, they were just drilled and drilled and drilled, to the point that they just don't know why they want to go.
I don't know why I just remembered this, and I haven't told anybody this, but we were shooting in Canyon de Chelly and we were so far up the canyon. Once we were up there, we were up there. There was no going back to your trailers.
I grew up in Africa, in Nigeria. I never knew, I never had any reasonable encounter with football. I saw football on Sky News. I thought there were people dressed like extraterrestrials, you know, like they were going to Mars or something, headgears and shoulder pads. And I wondered why, as a child, why did they have to dress that way.
I grew up on the rough side of the tracks. If you looked like you were soft, you would be fodder for the wolves. I came up in my neighbourhood like, 'I'm just gonna be me,' and all the thugs just said, 'It's OK, he's special.' They knew I had the talent with the rhymes, so they kept me around.
Hawaiians are mellow people, but we all live on an island so we see each other all the time. So like you either got to be real nice, because once you have a problem with somebody, you're gonna see them over and over and over, and you're gonna end up fighting. That's why we fight. We're all stuck in one area. You can't get away.
Really, it's my fault. It was there. A hundred times there. How often did I see it? I knew. It kept happening. Over and over, you'd say you were through with him...and over and over, I'd believe it...no matter what my eyes showed me. No matter what my heart told me. My. Fault.
I did what sports were supposed to be like, and I was living in my car. So you know what, fine. I'm gonna talk a bunch of sh*t. I'm gonna pose in a couple of pictures. And I'm gonna break a couple of girl's arms, and I'm not gonna feel the least bit sorry about it because you know what? At least I can feed my dog.
Those five fingers and that palm were like a display case crammed full of everything I wanted to know--and everything I had to know. By taking my hand, she showed me what these things were. That within the real world, a place like this existed. In the space of those ten seconds I became I tiny bird, fluttering in the air, the wind rushing by. From high in the sky I could see a scene far away. It was so far off I couldn't make it out clearly, yet something was there, and I knew that someday I would travel to that place.
Life is a flux, nothing abides. Still we are such fools, we go on clinging. If change is the nature of life, then clinging is stupidity, because your clinging is not going to change the law of life. Your clinging is only going to make you miserable. Things are bound to change; whether you cling or not does not matter. If you cling you become miserable: you cling and they change, you feel frustrated. If you don`t cling they still change, but then there is no frustration because you were perfectly aware that they are bound to change. This is how things are, this is the suchness of life.
Doing a little work around the house. I put fake brick wallpaper over a real brick wall, just so I'd be the only one who knew. People come over and I'm gonna say, "Go ahead, touch it... it feels real."
I was over at Alison's [McGhee], I think we were playing Scrabble. I remember we were both complaining - yeah, we sound like whiners - about how hard writing is, and how we didn't have a story to work on. Alison said, 'Why don't we work on writing something together,' and I said, 'Eh, I don't know if I could work that way.' She said, 'Well, just show up here and we'll see,' and I said, 'Well, what would it be about?' She said, 'Duh, it'd be about a tall girl and a short girl.' So I agreed to come and try it for a day.
I would assign every lie a color: yellow when they were innocent, pale blue when they sailed over you like the sky, red because I knew they drew blood. And then there was the black lie. That's the worst of all. A black lie was when I told you the truth.
Looking up in the sky, I saw the stars were brighter now. They made a pattern I had never noticed before- a gleaming constellation that looked a lot like a girls figure- a girl with a bow, running across the sky. "Let the world honor you, my Huntress. Live forever in the stars.
In fact, one of the funny stories from that set [of Hail, Caesar!] is we were shooting my scene, and around lunchtime, Terrence Malick shows up on set. He was uninvited and no one knew who he was. But I knew, just looking at him. I was like, "Holy moley, that's Terrence Malick!" So I went and told the PA, "Hey, Terrence Malick is here, and I think he wants to see the Coen brothers. He wants to talk to Joel and Ethan." He just showed up unannounced, uninvited, and I guess they spent their lunch hour with him.
I never knew there were this many stars." "I can't see them," he told me. "I just see you." "That's one of your cheesier lines," I told him. "It's the altitude," he told me. "I don't have enough oxygen in my brain." "I see.
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