A Quote by John Hickenlooper

I try to go to concerts whenever I can, just because I love music. — © John Hickenlooper
I try to go to concerts whenever I can, just because I love music.
I'm not a fancy person. I love small spaces. I like tiny cars. I don't buy things, aside from music and books. I don't get loads of attention and maybe it's because I'm kind of boring. I don't think I'm boring, but I have different interests. I don't go out much, not because I'm hiding but because I'm not a big drinker. I go out and have a good time, I go to concerts and stuff.
As a professional cellist, I go to mostly classical concerts because that's the music I play, but I am also always trying to find out who the voices of our time are. I attend a spectrum of concerts that are close to classical - anything from Wynton Marsalis to Renee Fleming.
Whenever I do my concerts, I try to do master classes or students.
Let's buy books so as not to read them; let's go to concerts without caring to hear the music or see who's there; let's take long walks because we're sick of walking; and let's spend whole days in the country, just because it bores us.
I go to metal concerts as well as classical concerts, and I love both of them.
There is nothing wrong with meditating just to meditate, in the same way that you listen to music just for the music. If you go to concerts to "get culture" or to improve your mind, you will sit there as deaf as a doorpost.
Whenever I visit a city, I like to see what classical music concerts are on offer.
I go up to San Francisco on holidays and spend time with my family there, but whenever I go to Japan, I enjoy every moment. I try to go back there every year or so. It's a phenomenal place, and I absolutely love it. It's not my second home; it is my home. Whenever I go back, I feel very connected with Japan.
I run around, I listen to a lot of music, go to a lot of concerts. And when I see someone that gases me, I try to go out of my way to involve them somehow in what I'm doing or get involved in what they're doing.
I read tons of books, listen to music non-stop, watch as many movies as possible, catch a play when I can, art shows, concerts, bar talks - I just try to engage in art, which to me is everywhere, as often as I can because narrative lives in it all.
I just record whenever I can, whenever I'm home, whenever I have access to something that can make music.
There were a lot of anti-apartheid rallies and marches and concerts that we would go to as a family. And music was a big part of that. It was never just the politics.
I'm mostly a jazz fan and I've never really been into rock 'n' roll music — although I guess Coldplay isn't really rock 'n' roll — but he's made me a convert. I do go to their concerts whenever we're in the same town and I don't even have to wear earplugs any more, which I did in the beginning.
Certain roles, I just won't invest in. I'll go in and audition, but I might not spend five hours trying to figure out what the character is really about or go so deep into it. I might just learn the lines and go in and try my best because I know it's not safe for me to love the character or to fall in love with the idea of the role.
When we decided to go to Cuba to perform, we did it because we just wanted to build a bridge, you know, between Cuba and the rest of the community. And we just wanted to prove that music and art need to be over all ideology or way to think life, and we just wanted to go in there and play just because of love.
I don't think anyone listening to my music needs any special knowledge. They don't need to have a background in contemporary music. They don't need to go to new-music concerts all the time in order to be able to understand it.
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