A Quote by John Higgins

We've all got to get away from this idea that the big money's still around. — © John Higgins
We've all got to get away from this idea that the big money's still around.
You get around people who see us away from the track, and it's a pretty big contrast. You're still competitive, and you still want to win everything, but I think in the car, we're focused and passionate all the time. We get outside the car, and we're a lot more relaxed and easygoing, enjoying things away from racing.
Get a job and when you earn a little bit of money, then you can do more good. Then bringing your values doesn't mean you have to compromise yourself. You got to get over this idea that you can't work for a big corporation, or for big oil or bigger pharma, because actually, those are some of the great jobs are and you can do good there.
If you haven't got an idea, start a story anyway. You can always throw it away, and maybe by the time you get to the fourth page you will have an idea, and you'll only have to throw away the first three pages.
I'm very appreciative of, and I also, having traveled the world, know that the United States is one of the few places where there really are no limitations. As long as you've got drive and hard work and a good idea and you can get out there and do your thing, there's no social classes, so in a lot of countries there's a big history of regardless of how much money you may make, there's still that little thing where you're not in society. That doesn't exist here.
No matter where the price of gas is, the consumer's still got to get out. They've still got to save their money to go see Tim McGraw.
Goodbye to my friends at home, goodbye to people I've trusted. I've got to go out and make my way, I might get rich, you know I might get busted. But my heart keeps calling me backwards, as I get on the 707. Ridin' high, I got tears in my eyes, you know you got to go through hell before you get to heaven. Big ol' jet airliner, don't carry me too far away. Big ol' jet airliner, 'cause it's here that I've got to stay.
People look at me in many ways. They've said, 'The guy has no regard for money.' That is not true. I have had regard for money. It depends on who's saying that. Some people worship money as something you've got to have piled up in a big pile somewhere. I've only thought about money in one way, and that is to do something with it. I don't think there's a thing I own that I will ever get the benefit of except through doing things with it. I don't even want the dividends from the stock in the studio, because the government's going to take it away. I'd rather have that in (the company) working.
We have to recognize we've got some big problems on race, just like we got still big problems on crime, just like we got big problems on just about everything. But we also have to make sure that we've - draw confidence from the progress that we have made, 'cause otherwise, you get into this cycle of cynicism.
I had no clue about taxes at all. I didn't know they hit your paycheck. There's something that you've always got to put money away for. I didn't know you've got to put money away for it, even though it's coming out your own money. It's like, 'What the heck?'
Money and muscle, that's what I want; to be able to do any damned thing I want and get away with it. Money won't do that altogether, because if a man is a weakling, all the money in the world won't enable him to soak an enemy himself; on the other hand, unless he has money he may not be able to get away with it.
Men still get a lot more opportunity. It is still a big part of the old boy network... They have more companies they can get money from.
Men still get a lot more opportunity. It is still a big part of the old boy network. They have more companies they can get money from.
Picasso and Matisse were the guys I wanted to get away from, and cubism is all still lifes. Their paintings are all closed drawings. And still life is a perfect form for that. By the mid-'50s, I sort of dropped the still life. The large picture was a way of getting around them, too. The abstract expressionists were also into the large form because it was a way of getting around Matisse and Picasso. Picasso can't paint big paintings. Matisse didn't bother after a certain point.
When I got into the film world, I got sucked into the secular aspect of the entertainment field and I really drifted away from my faith. Its amazing...as successful as I was as an actor, and the money and the fame, there was still something missing.
I can remember when I first got to los Angeles . I didn't have a car, I didn't have any money. I was walking the streets, you know, trying to get from place to place on foot almost. Sometimes, you know, you say, how am I ever going to get from here to there? There are a lot of people still having that dream and not being able to get there. So you never know. The idea is to keep on tap dancing, though.
You got a lot of ladies to get through. You’re still young. First love’s the sweetest, but it doesn’t last.” “Not ever?” I ask. Grandad looks at me with a seriousness he reserves for moments when he wants me to really pay attention. “When we fall that first time, we’re not really in love with the girl. We’re in love with being in love. We’ve got no idea what she’s really about—or what she’s capable of. We’re in love with our idea of her and of who we become around her. We’re idiots.
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