A Quote by John Hillcoat
Unfortunately, I've seen violence, and I think, in films, it is the dramatic extremity of it.
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To me some of the funniest movies would be probably categorized in the dramatic genre, and likewise some of the most dramatic films, or films that have the most dramatic moments, are in comedies.
To me, some of the funniest movies would be probably categorized in the dramatic genre, and likewise, some of the most dramatic films, or films that have the most dramatic moments, are in comedies.
I think one of the reasons younger people don't like older films, films made say before the '60s, is that they've never seen them on a big screen, ever. If you don't see a film on a big screen, you haven't really seen it. You've seen a version of it, but you haven't seen it. That's my feeling, but I'm old-fashioned.
I've always been terrified of violence which is probably why I keep making violent films - I'm trying to exorcise some demons or something. My mum ended up bringing me up on the edge of a big estate in south London, so I was on the periphery of violence - a lot of football violence and stuff because I was a Millwall supporter. So I've always had a very healthy fear of it, yet at the same time a fascination. I think in all of my films that's a really strong subtext... people who are terrified by violence but are yet compelled by it as well.
I was originally a painter, and I made films sort of as an extension of that, and then I started to try to make dramatic films because the early films were experimental films.
I think Magnolia is one of the best films I've ever seen and I can say that straight and out and anybody that disagrees with me I'll fight you to the death. I just think it is one of the greatest films I've ever been in and ever seen.
Actually, I can't stand watching violent scenes in films; I avoid watching horror films. I don't tend to watch action films mainly because I find them boring, but I watch the films of David Cronenberg and Martin Scorsese, usually in a state close to having a heart attack. I'm a complete coward. I make violent films as a result of my sensitivity to violence - in other words, my fear of violence.
It's strange the way people hear and see things. Like going to films - ?violent films. To me, seeing violence in a film makes me hate the violence. But there's beauty in violence if it's put over the right way.
I'm more alarmed by people reacting violently to the violence in my films than I am by the violence in films.
Unfortunately, we have seen terrorist groups use social media to spread hateful propaganda, to recruit members, and to incite violence with alarming effectiveness.
Unfortunately, violence begets violence. And this is how the war on terrorism seems to be going at this juncture. A lot of people are losing their lives. Many children are losing their parents. Too many houses are being destroyed. And, unfortunately, the arms industry seems to flourish.
I love small films, and I love films being seen in a theater. I love film, and unfortunately, that's being phased out.
I have never intended in any of my films to sell violence or to glorify it. Even in the most intense action sequences in my films, there is a message about how evil violence is.
I didn't see films when I was young. I was stupid and naïve. Maybe I wouldn't have made films if I had seen lots of others; maybe it would have stopped me. I started totally free and crazy and innocent. Now I've seen many films, and many beautiful films. And I try to keep a certain level of quality of my films. I don't do commercials, I don't do films pre-prepared by other people, I don't do star system. So I do my own little thing.
The plain state of being human is dramatic enough for anyone; you don't need to be a heroin addict or a performance poet to experience extremity. You just have to love someone.
Free time keeps me going. It's just something that's always been a part of my life. I was originally a painter, and I made films sort of as an extension of that, and then I started to try to make dramatic films because the early films were experimental films.
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