A Quote by John Hirsch

I'm aware of being a stranger, an outsider, and that's always an advantage for an artist. It means I can see from the inside and the outside. I have that double vision. — © John Hirsch
I'm aware of being a stranger, an outsider, and that's always an advantage for an artist. It means I can see from the inside and the outside. I have that double vision.
As an artist you actually do have to make a choice to be an outsider. If you're an outsider you have the freedom to say what people on the inside don't dare to say.
One of the things that Ang brings to all of his projects is his deep sense of being a double exile, an outsider's outsider.
I think there's no question that everything possible is being done to stop Donald Trump and you're seeing a case study in how hard it is to be outsider and the double standard of the national media, particularly if you're a conservative outsider.
I never thought of myself as an outsider. Because outside of what? You would have to give advantage to this space where you're not, to think of it as sovereign because you're not there. I was always in the center of where I needed to be.
I've always straddled a weird line - there's a lot of mainstream stuff that I love. At the same, I still feel like an outsider. I'm the outsider who's on the inside.
I get hired as a writer or producer and I do the best I can to bring out that artist. If somebody calls you to do something, you go right for that vision and you're aware of that person's vibe. You're trying to get inside of them.
I think being an artist and taking on those challenges is just how it is for me. Because I was always a foreigner, I was always the outsider.
The vision I see is not only a movement of direct democracy, of self- and co-determination and non-violence, but a movement in which politics means the power to love and the power to feel united on the spaceship Earth... In a world struggling in violence and dishonesty, the further development of non-violence - not only as a philosophy but as a way of life, as a force on the streets, in the market squares, outside the missile bases, inside the chemical plants and inside the war industry - becomes one of the most urgent priorities.
Nothing is harder to see into thanpeoples nature. The sage looks at subtle phenomena and listens tosmall voices. This harmonizes the outside with the inside and the inside with the outside.
In portrait photography there is something more profound that we seek inside a person, while being painfully aware that a limitation of our medium is that the inside is recordable only insofar as it is apparent on the outside...Very often what lies behind the facade is rare and more wonderful than the subject knows or dares to believe.
I know always that I am an outsider; a stranger in this century and among those who are still men.
I was always an outsider, proud of being an outsider. I always reveled in the outsiders.
How many understand that Nature is the essential character of whatever is. It's something you'll find by looking not at, but in, always in. It's always inside the thing, and it makes the outside. And some day, when you get sufficiently proficient in understanding the use of the term, you can tell by the outside pretty much from what's inside.
Being an outsider means not being heard, not having a voice. It means being treated as a second-class citizen, being diminished in the eyes of others. We have all felt this way at one time or another, but some feel it more consistently. Unfortunately, our schools often do not embrace the talents of many of their occupants.
Outsider means "I will accept the possibility that I don't have responsibility for what is happening inside my domain."
Fleetwood Mac has been pretty truthful. Open about what we do. We've always done it from the inside out. Versus being pressured from the outside and changing the inside. And that's our story.
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