A Quote by John Hodgman
Borges was unapologetically smart and equally sentimental; a proto-geek, blind to distinctions between low pulp fiction and high criticism, experimental but never arch, and always playful, with a humor as dry as dust.
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One of my favorite writers is short story writer/essayist Jorge Luis Borges, who was blind. I'm not claiming to be anything remotely resembling a talent of Borges' caliber, but he is an inspiration and a proof that one can be a meaningful and successful writer while blind.
I love to read and teach experimental fiction but yes, neither this work nor my first novel is really that experimental. It uses some experimental techniques but in the end, I would not say that it is experimental. I'm not sure why. I do a lot of writing on my own, and I have always just written this way.
God of Truth and Justice can never create distinctions of high and low among His own children.
Don't make a big distinction between fiction and non-fiction. These are arbitrary distinctions.
The learnin' mind is the livin' mind, Meronym said, an any sort o'Smart is truesome Smart, old Smart or new high Smart or low.
God cannot be so cruel and unjust as to make the distinctions of high and low between man and man, and woman and woman.
In some ways, I think 'Pulp Fiction' hurt cinema in a very, very minor, small way. It did a massive amount of good. But it also made it impossible to make a movie even remotely like it without someone comparing it to 'Pulp Fiction.'
In some ways, I think "Pulp Fiction" hurt cinema in a very, very minor, small way. It did a massive amount of good. But it also made it impossible to make a movie even remotely like it without someone comparing it to "Pulp Fiction".
I grew up reading comic books, pulp books, mystery and science fiction and fantasy. I'm a geek; I make no pretensions otherwise. It's the stuff that I love writing about. I like creating worlds.
Meanwhile, however, what’s most bothersome about Pulp Fiction is its success. This is not to be mean-spirited about Tarantino himself; may he harvest all the available millions. But the way that this picture has been so widely ravened up and drooled over verges on the disgusting. Pulp Fiction nourishes, abets, cultural slumming.
The aims of these three groups are entirely irreconcilable. The aim of the High is to remain where they are. The aim of the Middle is to change places with the High. The aim of the Low, when they have an aim-for it is an abiding characteristic of the Low that they are too much crushed by drudgery to be more than intermittently conscious of anything outside their daily lives -is to abolish all distinctions and create a society in which all men shall be equal.
I'm now much more excited about genre distinctions. What I still see breaking down are more the hierarchical arrangements of genres. That is, "There is literary fiction, and then there are lesser genres." I'm much more clear on the idea that literary fiction is itself a genre. It is not above other genres. It is down there in the muck with all the other genres, and it's doing the wonderful things that it does, but to give it a Y-axis, to make it high and low, just seems absurd. I stand by that.
Our characters act silly, even totally ridiculous at times, and most of our jokes don't come out of pop cultural references. It seems like we're aiming at a child audience, but everyone can laugh at the basic human traits that are funny. It's playful, the humor is playful, the world is playful. You can kind of let go.
Short fiction is like low relief. And if your story has no humor in it, then you're trying to look at something in the pitch dark. With the light of humor, it throws what you're writing into relief so that you can actually see it.
My mom did this really cool thing: when 'Pulp Fiction' came out on video, she made, like, a 'mommy edit.' She took two VCRs and dubbed 'Pulp Fiction' from one tape to the next and edited out all the parts she thought were unsuitable for a kid. It was basically, like, the opening and ending credits.
Mundane humans create distinctions between themselves, distinctions that seem ridiculous to any Shadowhunter. Their distinctions are based on race, religion, national identity, any of a dozen minor and irrelevant markers. ~ Valentine
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