A Quote by John Hookham Frere

The language of translation ought never to attract attention to itself. — © John Hookham Frere
The language of translation ought never to attract attention to itself.
Many people do not know that Jesus did not speak Latin or English or Hebrew; he spoke Aramaic. But nobody knows that language. So we're talking about the Bible itself being a translation of a translation of a translation. And, in reality, it has affected people's lives in history.
The oldest cliché in the world is about "what's lost in translation," but you don't very often read much intelligent about what's gained by translation, and the answer is everything. Our language is a compendium of translation.
We ought always to conform to the manners of the greater number, and so behave as not to draw attention to ourselves. Excess either way shocks, and every man truly wise ought to attend to this in his dress as well as language, never to be affected in anything and follow without being in too great haste the changes of fashion.
The words in prose ought to express the intended meaning, and no more; if they attract attention to themselves, it is, in general, a fault.
Words in prose ought to express the intended meaning; if they attract attention to themselves, it is a fault; in the very best styles you read page after page without noticing the medium. Works of imagination should be written in very plain language; the more purely imaginative they are, the more necessary it is to be plain.
In translation studies we talk about domestication - translation styles that make something familiar - or estrangement - translation styles that make something radically different. I use a lot of both in my translation, and modernism does both. For instance, if you look at the way James Joyce presents Ulysses, is that domesticating a classic? Think of it as an experiment in relation to a well-known text in another language.
Any adaptation is a translation, and there is such a thing as an unreadably faithful translation; and I believe a degree of reinterpretation for the new language may be not only inevitable but desirable.
Any adaptation is a translation, and there is such a thing as an unreadably faithful translation; and I believe a degree of reinterpretatio n for the new language may be not only inevitable but desirable.
Walter Benjamin used to think that languages expand their register thanks to translation, because translation forces ways of using words and structures that were alien to the original speaker of the target language.
A woman should dress to attract attention. To attract the most attention, a woman should be either nude, or wearing something as expensive as getting her nude is going to be.
In general, I agree with Jacob Grimm and feel that we ought to permit changes and uncontrolled growth in language. Even though that also allows potentially threatening new words to develop, language needs the chance to constantly renew itself.
Each language has its own take on the world. That's why a translation can never be absolutely exact, and therefore, when you enter another language and speak with its speakers, you become a slightly different person; you learn a different sort of world.
The earliest language was body language and, since this language is the language of questions, if we limit the questions, and if we only pay attention to or place values on spoken or written language, then we are ruling out a large area of human language.
Never make a fuss-it might attract the attention of an enemy tribe.
Translation is a kind of transubstantiation; one poem becomes another. You can choose your philosophy of translation just as you choose how to live: the free adaptation that sacrifices detail to meaning, the strict crib that sacrifices meaning to exactitude. The poet moves from life to language, the translator moves from language to life; both, like the immigrant, try to identify the invisible, what's between the lines, the mysterious implications.
It was a revelation for me, in a practical sense, that you could write in an African language and still reach an audience beyond that language through the art of translation.
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