A Quote by John Howard Griffin
Nothing can describe the withering horror of this. You feel lost, sick at heart before such unmasked hatred, not so much because it threatens you as because it shows humans in such an inhuman light. You see a kind of insanity, something so obscene the very obscenity of it (rather than its threat) terrifies you. It was so new I could not take my eyes from the man's face. I felt like saying: "What in God's name are you doing to yourself?
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She looked up at him and her face was pale and austere in the uplight and her eyes lost in their darkly shadowed hollows save only for the glint of them and he could see her throat move in the light and he saw in her face and in her figure something he'd not seen before and the name of that thing was sorrow.
The obscenities of this country are not girls like you. It is the poverty which is obscene, and the criminal irresponsibility of the leaders who make this poverty a deadening reality. The obscenities in this country are the places of the rich, the new hotels made at the expense of the people, the hospitals where the poor die when they get sick because they don't have the money either for medicines or services. It is only in this light that the real definition of obscenity should be made.
Not caring what people think about you is so much easier said than done and I think that it's easy to be in school and kind of compare yourself to everybody else, you might think that you're weird because some people don't like you or because you just dont feel like you belong in your own skin in your school and I think that it's important to realize that there's absolutely nothing wrong with you you're worth so much. As time progresses you'll see that and you have to learn to love yourself and accept yourself because its your skin
The reason to forgive ourselves is not because we feel like it or because we want to see ourselves as blameless but because we limit what we can receive from God when we hold on to our past. He wants to do so much more than we could ever imagine. Forgiving yourself starts with believing in God's incredible love for you and accepting His amazing grace and mercy. If God Almighty can forgive us who are we to hold on to what He has not only forgiven but forgotten
Precocious and eccentric are okay. But I think that people in the arts represent something integral and kind of secretive in everybody else. So the reason people like some artists is because they're saying or doing something that they would like to do or say, but they don't have the balls or the means. People are really afraid to put their ass on the line. Just to put your face on a poster and put your name in big print and say "Come see me," that takes some cojones, you know? Ambition is nothing to be ashamed of.
I think all of us enjoy the feeling of something that goes on and on, as listeners as much as players. Just to get into a moment that feels like it could go on forever, and that you kind of want to go on forever. I don't know. There's so many things we do that I could describe by saying they just feel right when we're doing them.
Even when a person is frightened by threats into doing something, the threats work only because the person has an instinct of fear. If he has not, or if, though having it, it is under his own control, the threat has no more influence upon him than light has in causing a person to see who has no eyes.
I wanted to reinvent horror comics. I felt like it was my mission to open people's eyes to the fact that horror comics could be so much more than the popular perception of them.
I didn't play the Ghost Rider in the first movie. That was a stuntman. In this film, the Ghost Rider feels much more alive because I did put some thought into how he should walk and into how he should move. I was so into the character, in fact, that I would paint my face with white and black makeup to look like a skull. And I put on blacked-out contact lenses, so I almost looked like an Afro-New Orleanian voodoo icon by the name of Baron Samedi. Oh man, I would walk around the set without saying a word to anybody, and I could see the fear in my co-stars' and co-directors' eyes.
Becoming awarrior and facing yourself is a question of honesty rather than condemning yourself. By looking at yourself, you may find that you've been a bad boy or girl, and you may feel terrible about yourself. Your existence may feel wretched, completely pitch-black, like the black hole of Calcutta. Or you may see something good about yourself. The idea is simply to face the facts. Honesty plays a very important part. Just see the simple, straightforward truth about yourself.
Sure, I can talk like you, but I choose not to, It's like an art, you know? Picasso had to prove to the world he could paint the right way, before he goes putting both eyes on the side of a face... See if you paint wrong because that's the best you can do, you just a chump. But you do it because you want to? Then you're an artist...You can take that to the grave and dig it up when you need it.
For horror movies, it's great because I know exactly what I am doing and what should be done. But for a cop drama, I can't calm my face down, and so it's really nice to be able to be in this genre where nothing is too much, and no one yells at me for having big eyes.
After thee accumulation of too much history we have lost our innocence, we cannot easily believe in any explanations. We describe rather than feel, we touch rather than explore, we lust rather than adore.
We don't know that we've lost half a minute from our lives but we feel it somehow, we feel its absence. Something is missing, we think. And so we long for the thing we've missed and can't name, and out of that wanting - well, everything else rises, good and bad. What do you think leads us to the windows in the first place? The light in your eyes shines because of the longing in your soul. And the longing in your souls rises because you are looking for the lost half minute.
I was a lonely, frightened little fat kid who felt there was something deeply wrong with me because I didn't feel like I was the gender I'd been assigned. I felt there was something wrong with me, something sick and twisted inside me, something very very bad about me. And everything I read backed that up.
Rather than feeling lost and unimportant and meaningless, set against galaxies which go beyond the reach of the furthest telescopes, I feel that my life has meaning. Perhaps I should feel insignificant, but instead I feel a soaring in my heart that the God who could create all this — and out of nothing — can still count the hairs of my head.
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