A Quote by John Hume

These are the influences that everybody has. Some individuals might stand out because of one thing or another, but whether one's perception as a child of what was important or not is accurate, I don't know.
Our stories affect one another whether we know it or not. Sometimes obedience isn't for us at all, but for another. We don't know how God holds the kingdom in balance or why he moves a chess piece at a crucial time; we might never see the results of his sovereignty [...] I might just be one shade of one color of one strand, but I'm a part of an elaborate tapestry that goes beyond my perception.
Music is so important. It changes thinking, it influences everybody, whether they know it or not. Music knows no boundary lines.
You might pick up some influences from another type of music that you wouldn't normally think of, but, you know, maybe as a guitar player, it will come out in your improvisational style, maybe as a song writer it might come out in your note choices, or in your melodic choices, and it just helps to making your music that much more original and unique.
I think being honest with one another creates an environment that's comfortable. You want to know where you stand, whether you're doing a good job. The players know what's going on before you do. They're trying to see if you're going to do something about it. And when it's not like that, everybody is pissed off, because they know that people can get away with stuff and that nobody is keeping them in line. That's not a team to me.
I'm very hands-on. I was very hands-on with talking to individuals. That's very important, whether it be someone giving me advice or trying to find out some type of information. If I have additional questions, I always get behind-the-scenes and dig in and talk to individuals.
I believe that everybody, whether you believe in the afterlife or the chance of a near-death experience and you come back and you see someone [on the other side] - whether that has happened or not, I don't know, but certainly everyone has thought about it at some point or another in time. It's a fantasy that if there is anything out there like that, it would be just terrific, but that remains to be seen.
Everybody's suffering is mine but not everybody's murdering ... I do not distinguish for one moment whether my child is in danger or a child in central Asia. But I will not accept responsibility for what other people do because I happen to belong to that nation or that race or that religion. I do not believe in guilt by association.
The shift from the perception of the child as innocent to the perception of the child as competent has greatly increased the demands on contemporary children for maturity, for participating in competitive sports, for early academic achievement, and for protecting themselves against adults who might do them harm. While children might be able to cope with any one of those demands taken singly, taken together they often exceed children's adaptive capacity.
One thing about beginning writers is that they don't really always know their own strengths and weaknesses - you might think you're bad at characterization, but that might really be because of some issue you're having with another element, which is making it hard for you to express character in a convincing way.
I guess that’s the thing about a hero’s journey. You might not start out a hero, and you might not even come back that way. But you change, which is the same as everything changing. The journey changes you, whether or not you know it, and whether or not you want it to.
I might try that one thing, you know, that thing people do when their eyes get all wet and stupid—what’s it called? Crying? Or NOT. I might PUNCH you instead and trust that you won’t punch me back because of my endearing smallness. It would be like punching a child.
In reality, everybody in Congress is a stand-in for some kind of lobbyist. In many cases it's difficult to tell whether it's the companies that are lobbying the legislators or whether it's the other way around.
I’ve never thought much about whether I was happy or if I had fun as a child. I was a so-so girl who lived with a so-so family in a so-so village. I didn’t know that there might be another way to live, and I didn’t worry about it either.
I never know what to call the subjects in my pictures because I'm uncomfortable with the word actor. I think maybe subjects might be more accurate - or maybe even more accurate is objects.
I say 'here's the thing' a lot, both to alert people that I'm about to say something important and to give myself a moment to figure out what that important thing might be, because my head is so often completely empty.
I think the way the greens are, you need to be very accurate with your irons. Whether there's wind or not, the most important thing out here is being able to control the distance of your irons and the direction. I've done that pretty well the last couple of days.
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