A Quote by John Hurt

I loved working with [ Lars Von Trier], but I've done two films before, so I was quite used to him.He's a man of incredible moods of course, but he's also a hugely perceptive man, and there's no getting away from that. And he's able to put that perception into something like film, so we're very lucky.
If you asked an 18-year-old what they want to do with their life, and the options are 'Transformers' or Lars von Trier, he's probably shipping out for 'Transformers.' If you ask a 26-year-old what he wants to do, 'Transformers' or Lars von Trier, he'd probably pick Lars von Trier. So, my sensibilities are changing as I change.
I got used to [ Lars Von Trier] doing the narration for 'Dogville' and 'Manderley.' And I said to him I do these narrations for you but you never put me in a film! So he called my bluff and put me in 'Melancholia' and I was thrilled about that.
I don't think that this movie is the kind of movie that a magazine like In Touch even cares about, if you know what I mean. It's a Lars von Trier film. They care about Moneyball, not Melancholia. They care about what I wear to Melancholia premieres; they don't really care about a Lars von Trier film.
I love working with Lars [von Trier]! I've worked with him three times. I did the narration of Dogville and Manderlay.
Working with Chaplin was very amusing and strange. His films are so funny, but working with him, I found him to be a very serious man. Whereas the films of Hitchcock are macabre, he could be a very funny man to work with, always telling jokes and holding court. Of course, when I worked with Charlie he was getting older.
Lars von Trier is a very good storyteller. He's like an H. C. Andersen for adults.
Lars Von Trier is a genius. Every film he makes is so honest and powerful.
I've worked with Lars von Trier on many films, and there's always a female character that's like an open wound - everything just pours out of this person.
Lars von Trier is very, very, very clever about women. He gives the woman a space that I don't know any filmmaker does. Because in Breaking The Waves, protagonist Emily Watson is the Christ. Which man is doing that? I don't know any man giving that space to a woman. No one.
I love Lars von Trier. 'Dogville' is my favourite movie of the last 20 years. 'Nymphomaniac' and 'Melancholia' aren't quite as exciting as 'The Kingdom', 'Breaking the Waves', or 'The Idiots', but I'll always love him for being him.
I mean look at Antichrist. He's not making films to be liked by everyone, so why is this so surprising coming from Lars von Trier?
The vampire or the bad guy, that's what people do remember. Lars von Trier, like Guy Maddin, their films are made for a group of exclusive people who like special films. And they are special films, they are art films. And I started with commercial films at the beginning, and later on, because you know, when you are an actor, you have the same cliché like everybody else, you want to be in big films, you want to be known and all that.
I think you either get along with Lars [von Trier] or you really don't and I really got along with him. I wasn't scared because I talked to Bryce Dallas Howard about Lars.
If people remember me for any scene in a Lars von Trier film, I'm extremely honoured and forever grateful.
I think it's a legend that Lars von Trier is such a tough person to work with. I really didn't experience any of that. Of course, he's difficult in the sense that what he asks for is difficult. For my part in Antichrist, I suffered a bit. But it was the part - it wasn't him. He wasn't cruel. On the contrary, he was very kind. You know what you're up for when you read the pitch.
The Danish filmmakers are a unique breed of filmmakers, with the Dogme films and Lars von Trier.
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