A Quote by John Hurt
When you're really working well with a director then you can be as outrageous as you like and so can he. And there's no worry about it.
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In a weird way, it's much easier, when I don't have to worry about being a writer, to just worry about the director job, which is really fun.
I worry from the moment I take a job. I worry about how I'm going to do it, if I can do it... Then I walk on set and the director says, 'Roll', and all of a sudden, all of it disappears and it's all happening, and I relax, and I'm doing what I do, and I'm not even thinking about it.
I worry about getting work, and then when I get it, I worry about doing it well. I don't want to just go through the motions and give people stuff. This stuff is really important to me.
I like working with directors because I'm really opinionated about what things work and may not work, what audiences like and may not like, (not really) but I do have opinions about things. I like to be able to say them and then have them acted on. The director who responds to me like that, always gets my appreciation. I do appreciate it. What I find is the best directors, no matter what kind of name they have, are like that.
My old manager of the Irish National Theatre said 'Don't worry about being a star, just worry about being a working actor. Just keep working.' I think that's really good advice.
I think the sign of complacency in the stock market is when people don't worry. At the moment, everyone worries about everything. They worry about geopolitical risk, about political risk, they worry that the markets are too high. The time to really worry is when everyone thinks that markets are going up and everything is going really well.
I don't worry about budget, at least not early on. I discovered that if you start worrying about budget, then you'll get half of whatever you're trying to worry about. You're constantly working yourself into a corner. So, you just shoot for the stars and then see what you get.
It's like, if someone asks me to do something and it seems like a really exciting project, but I maybe really frightened about it, nine times out of then I'll say yes imminently because then I can worry after I've said yes!
That's the great thing about being a director. You have your list of things you have to worry about and things you don't have to worry about. If you can hire someone or cast someone who equates to not having to worry about, it's great!
When you've written a script, if an actor has a question you're the writer as well as the director, so you have the answer. And if you don't, then you just be honest and say 'I don't know' and then you discuss it. So, working with the actors is fine.
When we advocate for violence against women to be eliminated on campuses, we say, 'Well, actually, it's not just on campuses we have to worry about.' We might have to worry about high schools. We might have to worry about police precincts and cars. We might have to worry about public housing.
I think that the good thing about working smaller and being a smaller company that doesn't have to make as much to make money back is that you don't have to worry about, well, critics like this and they'll tell people to buy it, but millions of people might say, 'Oh, well I'm not interested in that subject matter' and we're sunk.
The stuff that I used to worry about before, it's like I don't worry about it anymore. Which is kind of a beautiful result of having a baby. It's like everything gets so simple. It's like, 'Great, I care about how you're doing. I care about getting you what you need, and the rest of this stuff, if it happens, great, if it doesn't happen, oh well.'
When I'm working on the scripts or working with the other actors or rehearsing with the director, and when the director is cutting the movie, and we've shot the scene, the director is not looking at the visual effects.
I like to be as outrageous as possible. I really like to push the boundaries and then I'll have a whole team of people saying like, 'Absolutely not, you cannot wear that.'
I had a really good time working with Jim Cameron. A lot of people didn't, but I did as I got on with him really quite well. For a director who spends most of his time looking down a lens or in the digitisation studio or working out some graphics, he is actually very good with actors.
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