A Quote by John Hurt
The big problem with literature is people tend to take the dialogue from the book, forgetting that everything that surrounds it is literate, therefore not knowing quite how to put that on screen.
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In fiction, I tend to write fairly realistic dialogue-not always, and it tends to vary
from book to book. But in many books, there is a colloquialism of address. The characters will speak in a quite idiosyncratic way sometimes.
Children's book writers tend to feel quite superior, and adult writers tend to feel they wouldn't know how to write a children's book - which might surprise you because I think a lot of people think it's the other way around.
Filmmaking materials are in the hands of more people now than ever before. I would like to think that the more people have these tools, the more people will learn how to use them, it's another argument I would argue for, personally, for art's education. Because there are kids who aren't that literate in screen language and they've got to know how people select shots, how people edit audio, how people combine things to make what they see on the screen. It would be like the 15th century or the 16th century in Germany, and somebody amends a printing press and you don't know how to read and write.
Television is our culture's principal mode of knowing about itself. Therefore -- and this is the critical point -- how television stages the world becomes the model for how the world is properly to be staged. It is not merely that on the television screen entertainment is the metaphor for all discourse. It is that off the screen the same metaphor prevails. (92)
My father probably taught me everything I know, aside from dialogue, which I think I get from my mom a lot more. He certainly didn't teach me everything he knew, but you know he has got this book out called "The Spooky Art," which is essentially an advanced book on writing and it's not... You know it's not ABC, but it's for people who feel that bug and know that they're writers and are willing to put in that time alone. Pretty much the vast majority of what he taught me you can find in that book.
What I went through in 1976, it's the same today: It's about all the pressure that you feel, the anxiety, the family, and everything that surrounds the Games, and then getting there knowing this is your big chance, and you're able to come through. It's such a satisfying thing.
With dialogue, people say a lot of things they don't mean. I like dialogue when it's used in a way when the body language says the complete opposite. But I love great dialogue... I think expositional dialogue is quite crass and not like real life.
It's cool to see wrestling fans that are also comic book creators sort of put their fandom on the page, and then take that fandom and put it on the screen.
That's why I'm a big supporter of the death penalty. I want to be the hangman. I would put many more people to death like the kids who want to kill other people, I'd put 'em to death. Postal workers who get arrested, they have mental problems. You know what? When you're dead you don't have a mental problem. If you take a life, I will take yours. Put me in charge, I will fix it.
The trick to forgetting the big picture is to look at everything close-up. The shortcut to closing a door is to bury yourself in the details. This is how we must look to God. As if everything's fine.
I think overall body awareness and knowing exactly where I need to be makes a big difference. Knowing how much weight to put on each foot or where I need to put my hands are things I'm very good at. Obviously with the wrestling background those are things that come naturally.
People can take your name and write a book about you and they make money off of it. How is the public supposed to know you're not authorizing that book? As soon as you make a big stink about it it only makes the book sell more.
You have people who believe they are scientifically literate but, in fact, are not. And I don't mind if you're not scientifically literate, but just admit that to yourself, so that you'll know, and perhaps you can take a first step to try to eradicate that.
Part of the problem with Occupy Wall Street was that folks were never really clear on what they were fighting for. If you don't know what you're fighting for, how do you know when you've got victory? In some ways, new media makes it easier for people to connect. It's hard, though, because we're much more seduced by the Internet, by big-screen TVs, by cell phones that can do everything.
A lot of people tend to chew up the scenery. I'm a firm believer in less is more, especially on the big screen.
I'm not at all snobby about book prizes and how they pollute the world of literature. Just like with the Olympics, a little bit of competition gets people truly engrossed in the business of literature.
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