A Quote by John Hurt

I'd say the film to avoid is a director's second film, particularly if his first film was a big success. The second film is where you've really needed to have learned something.
Me and Kirby are very collaborative and it changes from film to film. The first project we worked on together, Derrida, we co-directed. The last film Outrage, I was the producer and he was the director. This film was much more of a collaboration - he is the director and I am the producer - but this is a film by both of us.
I am an actress. My first film was a Telugu film, my second film was Bollywood, and third was Indo-Chinese.
There is something that might be called cinematic beauty. It can only be expressed in a film, and it must be present for that film to be a moving work. When it is very well expressed, one experiences a particularly deep emotion while watching that film. I believe that it is this quality that draws people to come and see a film, and that it is the hope of attaining this quality that inspires the filmmaker to make his film in the first place.
My first film was a big dud at the box office, and my second film did decently. I used to wonder how it would feel to have a hit film. I thought I'd be larger than life, but I'm not feeling anything I imagined. It's a completely different experience.
The first film is everything you want to say and how you want to say it. Lots of directors will do that and do it really well, but the second film is not so easy.
I got nominated for my second film as best young director in the Aikido Film Festival in Japan.
I'd never read 'Prince Caspian'. I watched it and loved that film. Everybody was talking about its lack of success; its relative success in comparison to the other film. It's a great film. It deserved to do a lot better than it did. It's very difficult to make a film that will match up to the first.
It's very cool to be able to say that my first real film was 'Footloose' and my second film I got to star alongside Tom Cruise and Catherine Zeta-Jones.
Going into my second film as a director, it's night and day of what it was like going into my first film. It doesn't matter what you know in your head and what you've been taught until you're there and doing it; it's a whole new ball game.
The silent film has a lot of meanings. The first part of the film is comic. It represents the burlesque feel of those silent films. But I think that the second part of the film is full of tenderness and emotion.
I have always believed that the choice of your second film is as important as you first film.
If your first film does badly, there's no guarantee of the second film.
The truth is 'Akaash Vani' was not a young film. The second half of the film was quite mature. It's unfortunate that not many people have seen the film, so I am still associated more with 'Youth Centric Films'.
I was extremely nervous during my first film, even my second film.
After my first film, I was having trouble finding a second film. I had a lot of attempts that failed.
After you've done the first feature, then you have heck of a difficult time getting your second film off the ground. They look at your first film and they say, "Oh well, we don't want you anymore."
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