A Quote by John Hurt

I left drama school and went straight into a 10-week film for which I was paid £75 I might say, which for 1962 was one heck of a lot of money. — © John Hurt
I left drama school and went straight into a 10-week film for which I was paid £75 I might say, which for 1962 was one heck of a lot of money.
At the time I left film school there wasn't a lot of hope for young film-makers. It was a calling card of film school to be quite slick and commercial, which might lead to getting some stuff on telly.
When I left school at 16, I became an apprentice television and radio technician, and was paid £17 a week, which was decent money in 1976. But the job turned sour when I gave myself an electric shock while repairing a television set.
My first film was a super-hit. It made the producer earn a lot of money and gave me a lot of fame. The funny part is that I acted in Tum Bin' as a project for which I was paid a stipend and not the money that comes to the star of a very popular film.
I went to art school for about a year. I was born and raised in the Willamette Valley in Oregon into a middle-class family who didn't have the funds to say, "Here, kid. Here's your money for school." So I worked real hard during the summer and saved money and was able to go to school for a year and borrowed a little money which I paid back after that first year.
I might go my whole life stealing money. I got paid to play basketball, which is a scam. I get paid to watch basketball, which is a scam.
At the age of 10, I had my first piece published in what was known as the 'Junior Post,' which was part of the 'Yorkshire Post,' and it was just for kids. I read it every week. And I got paid for it. So I thought... 'I can actually do this. I can get paid to write, and this is going to be fine.' I wrote several pieces for them.
I left drama school to do 'The Book Thief' - it was a real trip going straight from school kind of right into it, but I feel like the momentum of being in school put me in a good mindset as far as going into it as a learning experience.
My fear of drama school is that the natural extraordinary but eccentric talent sometimes can't find its place in a drama school. And often that's the greatest talent. And it very much depends on the drama school and how it's run and the teachers. It's a different thing here in America as well because so many of your great actors go to class, which is sort of we don't do in England.
Film and television as a medium has only very recently begun to be taught at the great drama schools in the UK. When I was at drama school in the UK, I was there for two and a half years, and we did one week of television and film. It's right before you leave. It's like, "We've taught you Anton Chekhov and William Shakespeare, you are likely to be in a washing-up soap-liquid commercial."
There is a lot of hype about drama school, I think. If you're an actor in England, that's just the way to get into it but I've been so incredibly lucky in that I was brought up in to it. I still might go to drama school, if I wanted to do theater work, definitely. It's a completely different type of training.
I was 18 and making 150 quid a week, which was a lot of money to me. Then there was a bad winter and I got paid off. Then my firm, JW Henderson of Bowling Green Street, Leith, went bust. If they hadn't folded, I'd probably still be scaffolding and loving it.
I would say that the money that was invested in me by Warwickshire Education Authority, which they did for five years, has been repaid a hundred times over. I have paid a lot more back to them in tax than they paid in support to me, but they helped me on my way - they launched me; they got me going.
There's got to be a point where we fix the system so that legal immigration is easier than illegal immigration and show respect for people, a kid who might have been here for 10 years, that might be a valedictorian of their high school to say, no, no, no you're not allowed to go to college. I just think there's a point past which we are over the line.
Every drama school in the country turned me down, and so I was lucky to study drama at all, even if it was lowly Birmingham University. But even when I came out with my degree, my mother promptly insisted I go straight to secretarial college to have something to fall back on, just in case - which didn't exactly fill me with confidence.
My first paid role was my first job out of drama school, which was Just William. It was a BBC TV show. I played Ethel.
My first paid role was my first job out of drama school, which was 'Just William.' It was a BBC TV show. I played Ethel.
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