I think directing is part play, part work, not just all work, because I think you always have to play. I think that's ultimately why I got into making movies, is because I love to play.
Success = 1 part work + 1 part play + 1 part keep your mouth shut
My work is a part of me and I know it. I have no reason to try to pick one part of me out from the rest. I only see my work, or rather I should say I see my work only telling my part of the human experience.
It's simple: You get a part. You play a part. You play it well. You do your work and you go home. And what is wonderful about movies is that once they're done, they belong to the people. Once you make it, it's what they see. That's where my head is at.
What's hardest for me to swallow is when there is a love story, say, with a really high-profile male star and there's no reason I can't play the part. They say, 'Oh, we love Halle, we just don't want to go black with this part.'
Actors push pause on their lives, fly to foreign countries, invest so much and work so hard and get so intimate with a group of people from a crew and cast, and then they say 'that's a wrap' and you push play on your life and there's a middle part of the sandwich, or a tunnel or bridge that you have to kind of walk back over before you can hit play.
It may say 30 on paper, but I don't look the part, I don't act the part, and I do my best to play like that.
In my work, the information is the least important part. It's there, and the work wouldn't mean the same thing without it, but it isn't structured around the information. The most interesting part to me is the visual play... looking at this little universe of representation that I can make out of the world.
It's hard to say what you learn acting a part. You find bits and pieces of yourself that are inside the character you play. You locate the relatable aspects of that character to your own life. So, in a way, every part you play forces you to discover things about yourself you might not have learned otherwise.
Whatever part drink may play in the writer's life, it must play none in his or her work.
That's part of the curse: If you're gonna play the song, you better play it. I've tried to phone in 'Jeremy' a few times, and it's tough. It doesn't work.
One more thing: don't spend too much time merely reading. The best part of this work is the play, so play and enjoy!
They say I couldn't play football, I was too small. They say I couldn't play basketball, I wasn't tall. They say I couldn't play baseball at all and now everyday of my life, I ball.
I love the students - they are remarkable, inspiring people. I would miss teaching if I stopped doing it. The kind of work I do is pretty diverse: I can cast a play while doing a polish of a screenplay, while thinking about a new play and revising another. In other words, the kind of work that I do during my work day is not just writing, yet it is all part of the job of being a playwright.
The best part is just having a partner. There is no real worst part. I'm not going to say there's a worst part. I mean I'm a comedian - comedians like to work alone. So maybe I'm not the ideal guy to be married to, in that sense.
Ignorance and greed are part of the evolutionary process, which is just to say that mistakes are part of learning. There is nothing bad about behaviors or perceptions that do not work; they simply have to be given up and replaced by behaviors or perceptions that do work.