A Quote by John Hurt

The English National Opera does have some terrific productions, which are accessible, and they're not too ridiculously expensive. — © John Hurt
The English National Opera does have some terrific productions, which are accessible, and they're not too ridiculously expensive.
Opera was the cinema of its time, so to bring back that popular appeal, you just need to unleash its visceral immediacy and excitement. Most productions don't manage that - but when an opera does do it, you never forget it.
I feel opera is an expression of artistic excellence. To do it is expensive, as there's a requirement for an orchestra, good voices, excellent sets, and the fact that productions generally have only short runs. But I believe it's something we ought to achieve as a nation.
I remember once saying in a television interview that the only things I hadn't been in were the opera and the ballet. Two days later, I got a call from Lord Harewood, of the English National Opera, saying "Would you like to be in 'Ariadne auf Naxos?'"
What people want is not what some would call imaginative and often austere productions but very lavish productions which cast back into the auditorium an image of their affluence.
In the early 1970s, I took singing lessons with John Hargreaves, a leading singer with English National Opera, when I was home from university.
I'm a DJ, but I'm also a ridiculously high-grossing musician due to doing productions.
German and Spanish are accessible to foreigners: English is not accessible even to Englishmen.
My message is to forget about dichotomies. The Brain Opera is an opera, even if it does not tell a story in the usual way. It is a psychological journey with voices - so I do consider it an opera.
Movies are just ridiculously expensive.
It's too expensive, that's the thing nobody wants to talk about. It is too expensive to make movies. That's not true, it is too expensive to market movies. Making movies is not.
There's no rational reason why opera should exist. It's expensive, time consuming. Yet in some shape or other it has always existed.
The problem or the fundamental flaw of Obamacare was that they put regulations on the insurance, about 12 regulations, which increased the cost of the insurance. And so President Obama wanted to help poor, working-class people, but he actually hurts them by making the insurance too expensive to want to buy. I had someone at the house just recently was doing some work, and he said: "Oh, my son doesn't have insurance, he's paying the penalty because it's too expensive."
I was not especially enthusiastic about opera when I was young, and I thought I would never write one. I felt it was an art form of the past, with expensive singers exposing their high notes, and bad theater, and ridiculous stories which don't concern us. But then little by little I realized that it can be defined very differently, that on the contrary opera can be something profound and not superficial - a wonderful meeting point for all the other arts.
As any opera fan knows, lawyers and judges do not fare well in most operas. Just consider the productions of 'Andrea Chenier,' 'Aida, Norma,' 'Billy Budd,' 'Peter Grimes,' 'The Crucible,' 'Lost in the Stars,' 'The Marriage of Figaro,' 'The Makropulos Case' and Wagner's 'Ring' cycle. Around 1810, the theme of justice emerged in opera.
I published, privately, a collection of my serious poetry I had written over the years. I only published 50 copies, which I gave to friends, in a special deluxe edition. It was ridiculously expensive but I'm glad that I did it.
Apparently the Dutch now prided themselves on being better at queues than the English, which was absurd, because standing cheerfully in line was the English national sport.
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