A Quote by John Hurt

I'm not accustomed to doing films without seeing the script. — © John Hurt
I'm not accustomed to doing films without seeing the script.
I'm not accustomed to doing films without seeing the script. There are certain people that are auteurs, and you accept them regardless of whether you see a script or not. But Spielberg is not an auteur.
It would be great to read a script, which is an action script uniquely written so that it doesn't cost an arm or a leg because we are now accustomed to seeing action in the superhero form.
All I know is that Salman has signed 80 percent of my films without reading the script, and almost all our films have done well.
Meditation means removing all your prejudices, putting all your conclusions aside, seeing without any hindrance, seeing without any curtains, seeing clearly without any mediation of any thought, seeing without Buddha standing between you and reality, or Krishna, or Christ.
In reviewing films, people get quite liberal about saying "the script" this and "the script" that, when they've never read the script any more than they've read the latest report on Norwegian herring landings.
I like doing Marathi films. I am not too keen on Hindi TV shows. It's very tough to get Hindi films, but if a good script and role comes up in future, I will surely pick it up.
Habit is a man's sole comfort. We dislike doing without even unpleasant things to which we have become accustomed.
All directors make films in individual ways. But the classical kind of view of filmmaking is that you have a script, and it's very linear. There's a script, then you're going to shoot the script ,and then you cut that, and then that's the end of the film. And that's never really been how I've seen it.
It's a very difficult thing for people to accept, seeing women act out anger on the screen. We're more accustomed to seeing men expressing rage and women crying.
If I get a note on my script or my films, what I say to a studio executive is that, 'You know, this is the film of my legacy, and I never want to be sitting in a theater looking up on the screen and seeing something that I don't believe in.' I will never do that.
It's pretty rare that I watch a movie now without seeing the script in a way that I hate, where I can see the stage directions and the choices that the actors are making.
Any good movie or script usually, if they're doing their job, gives the highest platform possible for an actor to leap off of, and that script was very high up there. It was a very smart, tight script. There was a lot of improv, as well, once we got to the set, but a lot of the original script was also in there.
When Lars Von Trier calls me, I say yes without reading the script because often the script hasn't been written yet, and if Fincher called me again, I'd say yes without reading the script, too.
There are so many varieties of films. You've got the jet-lagged films, where you fly to Bulgaria or wherever and get off the plane, and they bring you right to the set, and you start working, even though I don't even know my name, it's been such a long flight. Then there's the alimony films. But after you've been doing this long enough, you've gotten into every kind of situation you can imagine, even to the point where there is basically no script, so you have to kind of do it scene by scene and survive.
Most of the guys like sticking to the script and doing just what's written. If they're exploring, they're exploring ways of doing the script.
I like doing personal films, after doing a bigger movie, I enjoy doing smaller, intimate films.
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