A Quote by John Irving

I don't really set out to explore grand themes. I set out to tell a story. And one I have to be able to imagine right through. — © John Irving
I don't really set out to explore grand themes. I set out to tell a story. And one I have to be able to imagine right through.
I never set out to make any statements about a specific character, I just set out to tell what feels like is a truthful story, a person that you and I might truly encounter.
I always set out to tell a good story, to create a character that young people can relate to, place them in a situation that will be interesting, intriguing, eventually suspenseful. But what I find is that after I do that, then there are themes that emerge, which teachers can then use to provoke discussion and debate.
One set at extreme intensity does the muscle-building job. It must be stressed that the one final, all-out set I do takes me to the very limit of my capabilities. If you feel you can attempt a second set, then you couldn’t have been pulling out all the stops during the first set. It's not pretty, but it works.
The reasons I never set out to do a talk show is they're formulaic. People come out, tell jokes and read questions. But that's not what I do, and we built the show around my skill set.
No matter what you set out to do and how you set out to do it, you ultimately have to be who you are, and who you are as that character. So, I paid as much homage as I could to what Michael Clarke did, and had to rely on my own gifts to guide me through it.
I never set out to write literature; I set out to tell stories. And some of my work may be very raunchy and very bloodthirsty - but life, for me, is a violent thing.
I don't necessarily set out to teach or say anything in particular in my writing. Morals and themes come out as I'm telling the tale.
I don't know if it's a sadistic side or whatever, but you take characters and put them in really awful situations and make them go through that. And it's very satisfying as a director to explore that, to tell those stories and to explore those themes, because it is so human.
I don't really do themes. I might accidentally, but themes are an emergent phenomena of the writing of the book, of just trying to get a story out there.
When I started Ashes and Snow in 1992, I set out to explore the relationship between man and animals from the inside out.
I wrote a novel because I had a yen to do it. I believe this is sufficient reason to set out to tell a story.
I was this role model for heavy people. But the thing is, I never set out to be a role model at all, and I don't set out to be one now. I won't preach to anyone and tell them how to lose weight. I don't know any better than the next person.
Usually I'm trying to turn something around or turn it inside out and see what's underneath. I know that probably sounds incredibly vague but I never set out to be likeable or funny or anything like that. I'm just trying to tell the story in the best way that I can and serve the writer because it's really about the writer.
I was able to accomplish pretty much everything I set out to do with my run on Superman, and I'm really proud of how it turned out. I hope that readers enjoyed it, too!
I don't set out to make a really hot shoe, I set out to make a product that is true to where I am.
I love working with a set designer because, in many respects, you meet the set designer before you meet the actors. So it's a chance for me as a director to figure out what I'm thinking and to explore how the space is going to actually be activated.
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