A Quote by John Irving

I'm not writing non-fiction. I don't feel anything about me as a kid was unique. Except that I had more interest in being alone and using my imagination. — © John Irving
I'm not writing non-fiction. I don't feel anything about me as a kid was unique. Except that I had more interest in being alone and using my imagination.
Writing is writing to me. I'm incapable of saying no to any writing job, so I've done everything - historical fiction, myths, fairy tales, anything that anybody expresses any interest in me writing, I'll write. It's the same reason I used to read as a child: I like going somewhere else and being someone else.
It had also been my belief since I started writing fiction that science fiction is never really about the future. When science fiction is old, you can only read it as being pretty much about the moment in which it was written. But it seemed to me that the toolkit that science fiction had given me when I started working had become the toolkit of a kind of literary naturalism that could be applied to an inherently incredible present.
The unique thing about bodybuilding is that when I compete it is just me on a stage alone. There is no field, no bat, no ball, no skis, no skates. All other athletes have to use equipment, like a football. But I don't use anything in competition except myself. It's just me up there. Me alone. No coach. No nothing.
I love being a mom. But there's a certain kind of tedium to your life when your kid is young. Writing allows you to wander when your kid is napping in a crib ten feet away. So that's the great joy of writing fiction for me.
This is the great thing about writing for kids. Adults might not do anything if they recognized me. But if they do see me, and they're with a kid, they'll tell the kid who I am. They think they should give that to the kid. So generally that sends the kid over.
We have to learn not to feel guilty about letting our imagination browse around, and you know, in writing fiction particularly. But I think, in any kind of writing, we have to learn to allow ourselves to approach it in a contemplative way.
It's hard to say when my interest in writing began, or how. My mother read to my sister and me every night, and we always loved playing make-believe games. I had a well-primed imagination. I didn't start thinking about writing as a serious pursuit, a career I could have, until after college.
Fiction and screenwriting blend for me. I feel like being a TV writer/screenwriter has definitely made my fiction writing better, although I have less time to do it.
I've always felt like a kid, and I still feel like a kid, and I've never had any problem tapping into my childhood, and my kid side. And I think that's a very universal thing, I don't think it's unique to me at all. People I've talked to in their 60s, 70s, 80s, and 90s have all told me "You know, I still feel 20." So I don't expect that I'm going to be any different.
I suppose writing nonfiction did prepare me for writing fiction. Whenever you write anything, you're honing your skills for writing anything else.
A reader's own imagination is a far more powerful form of CGI than anything any movie can provide because it's unique. In your own imagination, you can enter all sorts of worlds, and they are unique to you because no other reader will interpret a book the same way.
Even though I always claimed that I didn't want to write about something - once I wasn't writing fiction, anyway; I think for me the change from fiction to poetry was that in fiction I was writing about something, in poetry I was writing something.
Writing fiction is very different to writing non-fiction. I love writing novels, but on history books, like my biographies of Stalin or Catherine the Great or Jerusalem, I spend endless hours doing vast amounts of research. But it ends up being based on the same principle as all writing about people: and that is curiosity!
My parents both worked; I was a 'latchkey kid.' We were lower-middle class, and they did everything that they could to give me anything I wanted, within reason. We were not rich by any stretch of the imagination, but being an adopted kid, I think we had a different connotation. My parents tried extra hard, I think.
There are loads of sociopolitical, racial, class and future-planet situations that really interest me, but I'm not really interested in making a film about them in a film that feels like reality because people view that in a different way. I like using science fiction to talk about subjects through the veneer of science fiction.
I tried writing fiction as a little kid, but had a teacher humiliate me, so didn't write again until I was a senior in college.
This site uses cookies to ensure you get the best experience. More info...
Got it!