A Quote by John Isner

You know, Slams are tough. It's the most physical, in my opinion. You're playing three out of five. — © John Isner
You know, Slams are tough. It's the most physical, in my opinion. You're playing three out of five.
The five most important words a leader can speak are - 'I am proud of you' The four most important are - 'What is your opinion?' The three most important are - 'If you please' The two most important are - 'Thank You' And the most important single word of all is - 'You'
I was playing tackle football in the street at five years old. Always being physical. Always being tough, just like a man's man. It was just always about being tough.
When it's best-of-five sets and most of the Slams are hot, humid conditions, you need all the energy and rest you can get in the singles.
Many people I know - writers, poets - they have all been sentenced not once but sometimes three times after they come out. They serve five or six years, come out another time, and then nine years. Come out again, 12 years. Only because they have a different opinion. They are innocent people, they have beautiful minds, beautiful hearts.
There is nothing like playing in the actual games, compared to simulating it, working out, playing some five-on-five. It's not the same.
It's tough to say, exactly, what things will look like in three to five years, but there's a lot of work to do in just moving along the path that we've already set out.
You love playing on a national stage - anytime you get these games. The Thursday ones are tough; I have a mixed opinion. I think if you win them, they're awesome because you get another little bye week in there, so to speak. They're tough on the quick turnaround.
I can do all my jumps in practice, three in a row, five out of five, four out of five.
Now, everybody knows the basic erogenous zones. You got one, two, three, four, five, six, and seven. ... OK, now most guys will hit one, two, three and then go to seven and set up camp. ... You want to hit 'em all and you wanna mix 'em up. You gotta keep 'em on their toes. ... You could start out with a little one. A two. A one, two, three. A three. A five. A four. A three, two. Two. A two, four, six. Two, four, six. Four. Two. Two. Four, seven! Five, seven! Six, seven! Seven! Seven! Seven! Seven! Seven! Seven! Seven! Seven! Seven! [holds up seven fingers]
In high school I wore No. 8, in college I wore No. 5, and five plus three is eight and five minus three is two, you know? Addition and subtraction.
In the past, it was expected that about three years were required to learn a single kata, and usually even an expert of considerable skill would only know three, or at most five, kata.
Having three tough finishing holes in a major, you know, you know that, most likely, it's going to come down to those last three holes. Having a good game plan, a good strategy, and executing obviously is going to be the big key.
Can't nobody do what Fetty Wap does. So when I go to the studio, it may be four to five hours max, probably three days out the week. I used to go to the studio for 10 to 15 hours, and I would do five to 10 songs. Now I go for four to five hours and I do, like, 15 to 20 songs. I'm an ad lib guy. Most people know me for my ad libs.
I'm sad for younger bands that don't have a home that they know they can go to, like the twenty-five labels that used to be around that they know they can hang their hat and know that they'll give 'em three, four, five albums to develop.
You know, going on three years playing with your twin brother. You're talking about a guy you played with on the same team for your whole entire career. When we first started playing, we were about four, five years old. So, it's been amazing.
I was the youngest of three brothers by five years, so I spent most of my childhood playing alone, being Zorro or some other superhero, doing Lego, watching telly and riding my bike.
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