A Quote by John J. Legere

On my very first day at T-Mobile, I demanded that every time I spoke publicly to the company, all employees across the country would be invited to watch. I faced legal and all that crap, but ultimately we were able to figure it out. We record it, too, so if somebody can't leave the sales floor, they can watch it later. Another thing I did very early on is give every employee stock, which we continue to do. So every time I speak to them I speak way over some of their heads.
Every day is still exciting. I have like a very good system worked out with my editor. Some directors are in there every day, sitting there in the room with the editor. I lose perspective incredibly quickly, and so what I do is I watch...I come in the room and give very specific notes and then I go back to my house or in my office and I watch the dailies.
It's nice being able to speak for myself. Every interview I did for so many years and every time I was in front of the camera, pre-Twitter, there was no way for me to speak for myself. Every interview started with, 'What was it like to work for this man?'
It feels silly to watch endless hours of winter sports every four years, when we never watch them any other time, and we don't even understand the rules, which doesn't stop us from scoring everyone, every run, every skate, every race.
When I was first started, when I was eighteen, I wrestled for a company that had a very hardcore fanbase and demanded a lot from its wrestlers. So, every single match, I would do every move possible. I would land on the concrete floor; I would land really high on my head just to try to impress the fans.
If I had the good fortune of having the ability to influence people all over the world every time I spoke, I would do my best to make sure people understood why the United States of America is special, and then I would suggest that everybody who wants to come here, "I don't blame you, fine and dandy, there's a legal mechanism for this. We're not denying people the right to come to our country. There's a legal way to do it." That's another thing people forget.
Every time we turn our heads the other way when we see the law flouted, when we tolerate what we know to be wrong, when we close our eyes and ears to the corrupt because we are too busy or too frightened, when we fail to speak up and speak out, we strike a blow against freedom and decency and justice.
Just keep acting is my plan, I just want to keep going for as long as I can. I've had a fantastic time on Potter, I will be very sad to leave it because every time I look back on one of these films, every scene I watch will be forever linked to a memory of what happened that day or something that was happening around that time in my life.
Everyone has an opinion and I think we're at a time which is very heated all over the world, so of course people will speak out. And they have every right to.
I have three kids. Now they're all grown up, but when they were little, every time I would start a new project, they would say, 'So dad, are you making a movie we can watch or one we cannot watch?' That's the kind of stuff they would ask. People around me - family and friends - usually know when to watch and when not to watch.
The Nothing is spreading," groaned the first. "It's growing and growing, there's more of it every day, if it's possible to speak of more nothing. All the others fled from Howling Forest in time, but we didn't want to leave our home. The Nothing caught us in our sleep and this is what it did to us." "Is it very painful?" Atreyu asked. "No," said the second bark troll, the one with the hole in his chest. "You don't feel a thing. There's just something missing. And once it gets hold of you, something more is missing every day. Soon there won't be anything left of us.
Every time we are faced with a choice, and we are faced with them every minute of every day, we make a decision to follow its course into the future. But what of the abandoned options? Are they like unopened doors? Do alternative futures lie beyond them? How far would we wander from the course we have steered were we to go back and, just once, open Door A instead of Door B?
Every time that I speak on the House Floor or in one of our committee hearings, I begin with the words, 'St. Louis and I.' Every time. That is no accident.
Having serious consequences to your decision-making process is something you have to be very comfortable with. It's something you learn and you practise over time, so I encourage people to find some way to challenge themselves. The other thing I share with people, which I've learned over time, is self-confidence. You have to get very comfortable with saying, "Well, every day, I'm just going to give my best. I have skill sets I've learned, I'm going to employ them, and my best is going to be good enough".
I watch 2001: A Space Odyssey every time it’s on. I made the kids watch it every time, too, and now they just love watching it. Stanley Kubrick’s great. And Blade Runner is one of my top three science fiction films. A lot of it has come true.
I'll put 'Stranger Things' up there with the best of it. I think it's such a profound show - it's very subtle in the way that it tells its story, but it's very effective. Every time I watch it, I feel something, which is very rare for me.
Don't get seduced by your own stuff. Don't get high on your own supply. The hardest thing as a filmmaker is when you're watching a film that you've worked on for several years. You know every frame so intimately that holding lots of the objectivity of a new viewer who has just seen it for the first time is the hardest thing. Every aesthetic decision you make - and you make thousands of them every day, have to - in theory, must be done from you being a blank slate. You almost have to run a program, like a mind wipe, every time you watch the movie.
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