A Quote by John James Audubon

Look at that mallard as he floats on the lake; see his elevated head glittering with emerald green, his amber eyes glancing in the light! Even at this distance, he has marked you, and suspects that you bear no goodwill towards him, for he sees that you have a gun, and he has many a time been frightened by its report, or that of some other. The wary bird draws his feet under his body, springs upon then, opens his wings, and with loud quacks bids you farewell.
Behold the Child among his new-born blisses A six years' Darling of a pigmy size! See, where 'mid work of his own hand he lies, Fretted by sallies of his mother's kisses, With light upon him from his father's eyes! See, at his feet, some little plan or chart, Some fragment from his dream of human life, Shaped by himself with newly-learned art.
He felt like a man who, after straining his eyes to peer into the remote distance, finds what he was seeking at his very feet. All his life he had been looking over the heads of those around him, while he had only to look before him without straining his eyes. p 1320
The editor sat in his sanctum, his countenance furrowed with care, His mind at the bottom of business, his feet at the top of a chair, His chair-arm an elbow supporting, his right hand upholding his head, His eyes on his dusty old table, with different documents spread.
A master in the art of living draws no sharp distinction between his work and his play; his labor and his leisure; his mind and his body; his education and his recreation. He hardly knows which is which.
I let my head fall forward into his shoulder, breathing in his scent. "Now what do we do?" He's quiet for a while and I finally lean back to look him in the eyes. He appears conflicted by something and then he sets me down on the ground, lacing his fingers through mine. "Should we see where the wind takes us?" he asks. I stare at my hand in his and then look up at him. "That sounds good to me.
A slow smile began on Gideon's face, and his blue eyes sparkled. With a shake of his head, he put his hand on his chest, as if the sight of her was more than his heart could bear.
Everybody lies...every day, every hour, awake, asleep, in his dreams, in his joy, in his mourning. If he keeps his tongue still his hands, his feet, his eyes, his attitude will convey deception.
I leaned forward and kissed him. His eyes widened, then his lips parted and he kissed me back, mouth warm and firm against mine and that floating feeling washed over me and through me, and it was so amazing that when it ended, I just stayed there, my face so close to his I could feel his breath, see those incredible amber eyes, and that was all I could see, all I wanted to see.
Maybe he sees it on my face, that fraction of a second when I let my guard down, because in that moment his expression softens and his eyes go bright as flame and even though I barely see him move, suddenly he has closed the space between us and he’s wrapping his warm hands over my shoulders—fingers so warm and strong I almost cry out—and saying, “Lena. I like you, okay? That’s it. That’s all. I like you.” His voice is so low and hypnotic it reminds me of a song. I think of predators dropping silently from trees: I think of enormous cats with glowing amber eyes, just like his.
All Mattia saw was a shadow moving toward him. He instinctively closed his eyes and then felt Alice’s hot mouth on his, her tears on his cheek, or maybe they weren’t hers, and finally her hands, so light, holding his head still and catching all his thoughts and imprisoning them there, in the space that no longer existed between them.
Gabriel pulled her over his body to lie on the bed beside him. His kisses pressed her down into the oblivion of the mattress as her hands explored his chest, his shoulders, his face. "I want to lay my kill at your feet," he said, more growl than words, and held her tight by her hair as he marked her neck with his teeth. She writhed against him. She wanted to bite him, she wanted to rip the flesh from his back, but most terrible of all, she didn't want him to stop. Her back arched, her body shattered, she howled.
As the body rolled to the ground Tarzan of the Apes placed his foot upon the neck of his lifelong enemy and, raising his eyes to the full moon, threw back his fierce young head and voiced the wild and terrible cry of his people.
The child has a different relation to his environment from ours... the child absorbs it. The things he sees are not just remembered; they form part of his soul. He incarnates in himself all in the world about him that his eyes see and his ears hear.
The master in the art of living makes little distinction between his work and his play, his labor and his leisure, his mind and his body, his information and his recreation, his love and his religion. He hardly knows which is which. He simply pursues his vision of excellence at whatever he does, leaving others to decide whether he is working or playing. To him he's always doing both.
He who sees his heir in his own child, carries his eye over hopes and possessions lying far beyond his gravestone, viewing his life, even here, as a period but closed with a comma. He who sees his heir in another man's child sees the full stop at the end of the sentence.
God is ever before my eyes. I realize his omnipotence and I fear His anger; but I also recognize his compassion, and His tenderness towards His creatures.
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