A Quote by John James Audubon

I wish I had eight pairs of hands, and another body to shoot the specimens. — © John James Audubon
I wish I had eight pairs of hands, and another body to shoot the specimens.
Cassidy's heart tried to leap out through his taught skin and hop into his wet hands. But outwardly it was all very calm, very serene, just as always, and it seemed to last a tiny forever, just like that, a snapshot of them all on the curved parabola of a starting line, eight giant hearts attached to eight pairs of bellows-like lungs mounted on eight pairs of supercharged stilts. They were poised on the edge of some howling vortex they had run 10,000 miles to get to. Now they had to run one more
I say no body of men are fit to make Presidents, judges and generals, unless they themselves supply the best specimens of the same; and that supplying one or two such specimens illuminates the whole body for a thousand years.
I think there's only one or two films where I've had all the financial support I needed. All the rest, I wish I'd had the money to shoot another ten days.
When I take photographs, my body inevitably enters a trancelike state. Briskly weaving my way through the avenues, every cell in my body becomes as sensitive as radar, responsive to the life of the streets... If I were to give it words, I would say: "I have no choice... I have to shoot this... I can't leave this place for another's eyes... I have to shoot it... I have no choice." An endless, murmuring refrain.
Why do you live in your body like you will be given another? As if it were temporary. You starve it, you let anyone touch it, you berate it. Tell it that it should be completely different. You tug at your soft flesh, wish it thinner, wish it gone. You fall in love with those who praise the way it sighs under their hands, but who praises the way it holds up your weight, even when you are falling apart?
You know what I wish? I wish all the scum of the Earth had one throat and I had my hands about it.
With sixty professors there are roughly eighteen hundred pairs of professors. Out of that many pairs it was not surprising that there were some whose members did not like one another.
I tend to shoot really quick so you don't get the problems you might get on a traditional film where you shoot one way, then another, and it's pissing down with rain and they won't cut together. We shoot so fast we can incorporate the weather into it. The worst weather we had was when they were in the caravan up the mountain and there was no cover. One man's weather is another man's production value. To create the sleet would cost a fortune but we got it for free so we'll just have to go with it.
I've got about eight pairs of shoes, and that's it.
Aching familiar in a way that made me wish I was still eight. Eight was before death or divorce or heartbreak. Eight was just eight. Hot dogs and peanut butter, mosquito bites and splinters, bikes and boogie boards. Tangled hair, sunburned shoulders, Judy Blume, in bed by nine thirty.
Who the hell wants fourteen pairs of shoes when they go on holiday? I haven't had fourteen pairs in my life.
Shoot the dictator and prevent the war? But the dictator is merely the tip of the whole festering boil of social pus from which dictators emerge; shoot him and there'll be another one along in a minute. Shoot him too? Why not shoot everyone and invade Poland?
In a very real sense, all you do when you're shooting film or television is you shoot a scene, and then you shoot another scene, and then you shoot another scene.
I had to make my body fit like Bruce Lee. I trained for eight months, five days a week, eight hours a day. I just ate chicken breasts and vegetables, sometimes just egg whites.
I wish I hadn't worked so hard; I wish I'd had the courage to live a life true to myself, not the life others expected of me; I wish I'd had the courage to express my feelings; I wish I had stayed in touch with my friends; and I wish I had let myself be happier. It's an extraordinary list of getting in your own way, isn't it?
On 'B&B,' we shoot so fast and eight episodes a week, so we have to always be on our A-game. There's really no time to make certain adjustments. We usually shoot a scene in one take, maybe two or three only if needed.
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