A Quote by John Jeremiah Sullivan

The justification for rap rock seems to be that if you take really bad rock and put really bad rap over it, the result is somehow good, provided the raps are barked by an overweight white guy with cropped hair and forearm tattoos.
I've never been a rap guy, I don't really know that much about rap music, to be honest. I like it, but I think what really happened was just my music seems to work so well with rap music.
We went through rock 'n' roll, which then became just rock, then punk rock, then the worst disease of all - rap music. It's an oxymoron, because rap is not music.
Coming into this, making music, I knew that was something that was going to be held over my head. Okay we get it, you're openly gay, but do you know how to rap? Can you really rap and deliver? And I feel like I have that pressure put on me that other artists don't. A lot of people don't have to focus on being so lyrical and actually putting on shows. Before anyone was gonna tell me I was bad, I was gonna prove that I was good.
I'm to trying to say I'm something I'm not. Black people understand that. I'm just doing my raps, my way. Rap is black. I recognize that and respect that. I'm just a white guy trying to rap, and I got lucky.
The green movement got really hot really fast, but then the economy took a turn and it became clear exactly what's at stake, so I think somehow celebrities got a bad rap when they were trying to do good.
Rap is the new rock 'n' roll. We the real rock stars, and I'm the biggest of all of them. I'm the No. 1 rock star on the planet.
Rap is rock 'n' roll. Rock is when you push the buttons in the system; when you say, I'm not going along with what you're saying. That's rock, whether it's done with guitars, or it's done with just beats.
Saddam Hussein was a bad guy. Right? He was a bad guy, really bad guy. But you know what he did well? He killed terrorists. He did that so good. They didn't read him the rights. They didn't talk. They were terrorists. It was over.
The difference between blues, jazz, rock n' roll and rap is that rap stayed poor. Even the white rappers are poor. It's scarier to look at poor people; it makes everyone uncomfortable. Their pain is something that people would like to see swept under the rug.
I was, like, 12 or 13; the first hip hop song I tried to rapping to was Macklemore's 'Thrift Shop,' and my English was so bad, but learning to rap to different songs really helped me with my pronunciation, and looking at the lyrics on Rap Genius and stuff like that.
I'm not in the leftist controlled Rock and Roll Hall of Fame because of my political views, primarily my lifelong militant support of the NRA, the Second Amendment, and my belief that the only good bad guy is a dead bad guy.
Good rap records don't get too far, but rap records that are made for crossing over to white audiences do go a long way.
I feel like the rap metal at the end of the 1990s destroyed rock music for everybody and suddenly everybody felt like they had to apologise for being in rock bands. People suddenly felt bad about wanting to reach massive audiences and the sense of theatre, that we have in our live show, became something to avoid.
I don't like putting a name on my music. It's not just country and rap; it's got Southern rock, classic rock.
I really just blend like rock, R&B and rap together to create a sub-genre, but it's very versatile.
We create music to express ourselves and when the world relates, that's a beautiful thing. We're all trading off each other's culture, so no matter what lines you put--country indie rock, rap, we're all somehow gonna find a way to come together.
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