A Quote by John Kani

Protest theater has a place again. It's not against whites or apartheid. It is against injustice and anything that fails our people. — © John Kani
Protest theater has a place again. It's not against whites or apartheid. It is against injustice and anything that fails our people.
Before 1994, many South Africans used theater as a voice of protest against the government. But with the end of apartheid, like the artists who watched the fall of the Iron Curtain in Europe, theater had to find new voices and search for new issues.
To protest against injustice is the foundation of all our American democracy.
Against eternal injustice, man must assert justice, and to protest against the universe of grief, he must create happiness.
I've been in revolt for years against ignominy, against injustice, against inequality, against immorality, against the exploitation of human beings.
In distinguishing between Islamic teachings and social taboos, we must remember that Islam forbids injustice; Injustice against people, against nations, against women. It shuns race, color, and gender as a basis of distinction amongst fellowmen. It enshrines piety as the sole criteria for judging humankind.
This is the greatest country under the sun. But we must not let our love of country, our patriotic loyalty, cause us to abate one whit in our protest against wrong and injustice.
I have lived my life, and I have fought my battles, not against the weak and the poor - anybody can do that - but against power, against injustice, against oppression, and I have asked no odds from them, and I never shall.
Protest against Industrial Capitalism from one aspect or another is universal: so was the protest against the condition of European religion at the beginning of the sixteenth century.
In 1985, I was arrested, along with my mother and brother, Martin III, in a protest against apartheid at the South African Embassy in Washington, D.C.
One of the skills you have to master in theater is the ability to make the audience believe that things that aren't there are there - just like when you're acting against CGI. Also, in a theater, the people in the back row can't see the whites of your eyes. Or your lips moving as you deliver dialogue.
There is a power that can be created out of pent-up indignation, courage, and the inspiration of a common cause, and that if enough people put their minds and bodies into that cause, they can win. It is a phenomenon recorded again and against in the history of popular movements against injustice all over the world.
In the second and third exiles we have served as a living protest against greed and hate, against physical force, against "might makes right"!
My time in prison only deepened my resolve against apartheid. Even while I was in prison, I fought against it, teaching my cellmates about white supremacy and how to fight against it.
There is civil disobedience against the military machine, protest against police brutality directed especially at people of color.
An act of violence against any innocent person eludes moral justification, disgraces the millions of Americans and people throughout the world who have united in peaceful protest against police brutality, and dishonors our proud inheritance of nonviolent resistance.
I think the people marching in L.A., on college campuses around the country, aren't marching simply because Trump was a Republican president and he got elected. They're marching because the Trump campaign is very much centered on demagogic rhetoric against immigrants, against Muslim-Americans, against black protest, against sort of America's non-white community.
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