A Quote by John Kani

When I first encountered Shakespeare as a boy, I read every word this man has written. To me, he is like an African storyteller. — © John Kani
When I first encountered Shakespeare as a boy, I read every word this man has written. To me, he is like an African storyteller.
The first book I bought with my own money as a teenager was Martin Amis's 'Money.' You know that thing when you read a book and you think, 'I'm going to have to read every word ever written by this man.'
All the unimaginative assholes in the world who imagine that Shakespeare couldn't have written Shakespeare because it was impossible from what we know about Shakespeare of Stratford that such a man would have had the experience to imagine such things - well, this denies the very thing that separates Shakespeare from almost every other writer in the world: an imagination that is untouchable and nonstop.
The sun was like a word written between the sea and the sky, a word that was swallowed up by the sea before any man had time to read it.
There is an enormous redundancy in every well-written book. With a well-written book I only read the right-hand page and allow my mind to work on the left-hand page. With a poorly written book I read every word.
I don't read a word that's written about me. I don't read my own interviews. I don't read reviews. I think it would drive me insane.
Before one is successful that is before any one is ready to pay money for anything you do then you are certain that every word you have written is an important word to have written and that any word you have written is as important as any other word and you keep everything you have written with great care.
Every word first looks around in every direction before letting itself be written down by me.
I have a personal issue with Shakespeare. When I first encountered him, he made me feel thick. Well, not him, but the productions I saw.
When I first went to acting school, they made me lose my accent, which is very upsetting for me. The first day of Shakespeare class, I remember the professor was like, 'Oh, boy. Oh no, no, no, no. No, no, no,' and sent me to a voice and speech class to get rid of the accent immediately.
Whenever there's an opportunity to celebrate the written word and celebrate the folks that read the written word, and, I think, to encourage other writers to write and encourage folks to read more and get connected to it in a personal way, it's a positive thing.
My favorite play is Hamlet. It was my first love when it comes to Shakespeare, and I've read it and seen it performed more than just about every other Shakespeare play. I've had the "To be or not to be" monologue memorized since I was 15, and it's just really close to my heart.
My dad read The Hobbit to me originally when I was young. So, it was the first imaginary landscape I ever had in my head from the written word. It gave me a passion for reading, thanks to my dad's performance of the book.
I feel like the books were just written like a movie. You read it and you can just kind of see everything. Before I went in to read with the director, I read the first book and I loved it. I didn't realize how good the writing was. And then I went in and read with Gary Ross, and that was it.
There is hope for a man who has never read Malory or Boswell or Tristam Shandy or Shakespeare's Sonnets: but what can you do with a man who says he "has read" them, meaning he has read them once, and thinks that this settles the matter?
The true fountains of evidence [are] the head and heart of every rational and honest man. It is there nature has written her moral laws, and where every man may read them for himself.
Unless you're doing Shakespeare or Chekhov... the written word is not sacrosanct.
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