Other theaters exist here solely to entertain the white audience and keep South Africa on a par with what's going on in the West End or Broadway. The Market concerns itself with theater of this country, for this country.
I am one of those who believe that there is no permanent home for even a section of the Bantu in the white area of South Africa and the destiny of South Africa depends on this essential point. If the principle of permanent residence for the black man in the area of the white is accepted then it is the beginning of the end of civilisation as we know it in this country.
We, the people of South Africa, declare for all our country and the world to know:
That South Africa belongs to all who live in it, black and white, and that no government can justly claim authority unless it is based on the will of the people.
South Africa is regarded as being an extraordinarily important country - not just for South Africa, but for Southern Africa, for the BRICS, working now in a new way in which power is becoming more shared - thankfully.
But to me, Broadway has always had more a 'village' feeling than London's West End. The theaters here are clustered together, the staff and many people in the business know each other - it's like a little village all to itself, whereas in London everything is more spread out.
I have a sense that South Africa is my other country apart from my native country that I particularly love, [that I] want to see succeed, and I did really want my message to be listened to.
Podor is a nice town. It's at the north of Senegal near the river. The town faces the other country that is Mauritania. It is a very cultural town, because at the beginning it was closest stop when you come from the Sahara and also when you come from the south to go to the north part of Africa. It was just at the middle, and so it's where a lot of cultures of West Africa come together.
With the Cuban presence in Namibia it was possible to achieve the security and real freedom of that country and the end of Apartheid in South Africa, with the modest contribution of the international military presence in Africa.
And now South Africa has finally woken up and it is doing great things. And if South Africa becomes the template to what AIDS is in the sub-Saharan continent, then all the other countries are going to follow suit. And Michel Sidibe, who spoke at the breakfast meeting this morning, was saying that there is so much hope for Africa now that South Africa has got its house in order.
It is ridiculous to think we can erase racism in South Africa, but through theater there can be a genuine attempt to move on with our lives and build a better country.
Most of the people I've met who are black in other countries look up to the blacks in this country. Though they may talk differently, they are anxious to partake of this country simply because things in their country are not physically on par with what they are here.
Turkey is a European country, an Asian country, a Middle Eastern country, Balkan country, Caucasian country, neighbor to Africa, Black Sea country, Caspian Sea, all these.
I love the theater community and theater life, and would love to figure out the distinctive differences between Broadway and the West End.
I learned that South Africa is the most diverse country I have ever seen. The diversity is just striking. The food, the people, the culture, the look and the feel, for that all to be one country.
Obviously, South Africa is our most important market, but we are also gradually increasing our presence throughout East and West as well as North Africa. It is a continent with a lot of potential which we plan to tap into.
South Africa is a country built on possibility. Possibility lies in making a difference and creating value from a situation - without denying that certain issues exist.
I'm a country girl. I like country music. I'm not going to lie. I'm from the South, and I grew up on it. My dad was a country singer-songwriter, so it's in my blood and I love it.