A Quote by John Kani

You can give me any of Shakespeare's plays and I'll tell you a parallel African folktale. — © John Kani
You can give me any of Shakespeare's plays and I'll tell you a parallel African folktale.
It would have been impossible, completely and entirely, for any woman to have written the plays of Shakespeare in the age of Shakespeare.
I think about Shakespeare. Because there have been hundreds of variations of Shakespeare's plays since they've been written, and I believe it's because they're important. They're still relevant today. 'Roots' is still relevant today. The idea that we shouldn't tell this story again is very strange to me.
I am spellbound by the plays of Shakespeare. And I am spellbound by the second law of thermodynamics. The great ideas in science, like the Cro-Magnon paintings and the plays of Shakespeare, are part of our cultural heritage.
I hated teaching Shakespeare. In order for the students to understand what was going on, you had to tell them the story of 'Macbeth' or whatever. Shakespeare is about character and language, and they didn't get any of that.
I have been right, Basil, haven’t I, to take my love out of poetry, and to find my wife in Shakespeare’s plays? Lips that Shakespeare taught to speak have whispered their secret in my ear. I have had the arms of Rosalind around me, and kissed Juliet on the mouth.
Not Shakespeare. In college I took a Shakespeare class because I was an English major, and they had a Summer program called Shakespeare at Winedale, which is out in the German Hill country in Texas , where you go out and live for two months and then you perform three plays at the end of that time.
Shakespeare is in many ways an African writer and 'Hamlet' would be seen as a very accurate historical saga about an African kingdom.
Looking for God-or Heaven-by exploring space is like reading or seeing all Shakespeare's plays in the hope that you will find Shakespeare as one of the characters.
If you are an atheist as I am, Shakespeare can be your ideal. Everything is within Shakespeare, especially in his 10 greatest plays. They have life, meaning, understanding, the whole lot.
Most of my career has been spent with the RSC doing Shakespeare, and the thing you learn from Shakespeare is that his historical plays don't bear anything other than a basic resemblance to history.
I lay my eternal curse on whomsoever shall now or at any time hereafter make schoolbooks of my works and make me hated as Shakespeare is hated. My plays were not designed as instruments of torture. All the schools that lust after them get this answer, and will never get any other.
Shakespeare is the outstanding example of how that can be done. In all of Shakespeare's plays, no matter what tragic events occur, no matter what rises and falls, we return to stability in the end.
Shakespeare is the outstanding example of how that can be done. In all of Shakespeare's plays, no matter what tragic events occur, no matter what rises and falls, we return to stability in the end.
In designing the scenery and costumes for any of Shakespeare's plays, the first thing the artist has to settle is the best date for the drama. This should be determined by the general spirit of the play more than by any actual historical references which may occur in it.
I never even was in any of my high school plays. I mean, look at me. What role could they give me - the tooth fairy?
With Westerns you have the landscape is important, and it's empty, and only you populate it. When you populate it, you can tell any kind story that Shakespeare told, you can tell in a Western.
This site uses cookies to ensure you get the best experience. More info...
Got it!