A Quote by John Kapelos

I'm usually not the straight guy. I'm sometimes more the funny guy, depending on the situation. — © John Kapelos
I'm usually not the straight guy. I'm sometimes more the funny guy, depending on the situation.
I'm the guy who will persist in his path. I'm the guy who will make you laugh. I'm the guy who strives to be open. I'm the guy who's been heartbroken. I'm the guy who has been on his own, and I'm the guy who's felt alone. I'm the guy who holds your hand, and I'm the guy who will stand up and be a man. I'm the guy who tries to make things better. I'm the guy who's the whitest half Cuban ever. I'm the guy who's lost more than he's won. I'm the guy who's turn, but never spun. I'm the guy you couldn't see. I'm that guy, and that guy is me.
What's interesting about Laurel and Hardy is that in most comedy teams, there's a straight man, and then there's the funny guy. And with Laurel and Hardy, they're both the funny guy.
A silly comedy needs a straight guy, and that guy needs to be as straight as possible. The moment you start playing straight you're not straight anymore, you're bent straight, so it really requires the usual serious, straight-forward analysis and research, looking into it and finding the dramatic function, all of what you do until you feel you've collected enough points to safely and securely play the part.
I've never been a straight guy, but it certainly seems that being one is exhausting. Every part of a straight guy's day is somehow related to him letting people know that he's straight.
I moved to New York to do theater, and I got cast in a play that was funny, and then I was the funny guy. I did a movie that was funny, and then I was the funny guy.
It is funny because the guy who is my boss now, Howard Stern, has a similarity there. He got big being a regular guy. He wasn't the greatest looking guy in the world.
It is funny because the guy who is my boss now, Howard Stern, has a similarity there. He got big being a regular guy. He wasn't the greatest looking guy in the world
I think sometimes people become quite emotional about the characters as well, and that's pretty cool that you can get that emotion out of people. And I think that's more my motivation than like, "Hey I want to be the funny guy, I want to be that famous funny guy." That doesn't sit as well with me as the idea of taking people on this ride and taking them into the illusion of the characters. That's much more exciting for me.
I went out with seven actors in a row. There are problems with that. I've had the really good-looking dramatic actor, and that has its problems. And then I'll go out with the funny guy. It's almost like the funny guy has more to prove.
I was always a funny guy. I don't think anybody that makes it to this level of stand-up wasn't a funny guy when they were young.
I'm an unorthodox type of guy, a funny guy - at least I think I'm funny. And one of the things I like to do is come up with nicknames for myself.
I'm not the type of guy who's funny in the room. I'm the guy who's funny late at night on a computer, trying to construct jokes.
I take that stage, and I'm the same guy backstage as I am on the stage. And you know what that guy is. That guy is a star. That guy is a champion. That guy is the guy that put '205 Live' on the map.
I still think of that guy I was without a wife or kids, and I still want to entertain that guy. The lonely guy, the frustrated guy, the guy with no money - this is the guy who needs to laugh.
I was always the funny guy. Everyone wants to hang out with the funny guy.
I don't know that person anymore, that guy in '86, '87. I don't know that guy no more. I don't have no affinity for that guy no more. I have no affinity for the guy who said, 'I am the greatest fighter God produced.' I have no affinity for the guy who said he would try to push his [opponent's] nose bone up into his brain. I just don't know that guy. I don't know who he is. I don't know where he came from. I don't have no kind of connection with him no more.
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