A Quote by John Keats

The creature has a purpose, and his eyes are bright with it. — © John Keats
The creature has a purpose, and his eyes are bright with it.
One of the things in the Mary Shelley [Frankenstein] is that the creature tells his story, so this begins with the creature's point of view. So, it literally starts with the creature opening his eyes and is born - but is obviously in his 30s. But because they're the creator and the created we thought it would be really interesting if they could look at each other every other night and play each other's roles.
God, he thought, her eyes are so bright, flashing, deep, full of promise, all those things eyes are in books but never are in life, and she was his.
He was a very young boy; quite a little child. His hair still hung in curls about his face, and his eyes were very bright; but their light was of Heaven, not earth.
Duties are ours; events are God's. This removes an infinite burden from the shoulders of a miserable, tempted, dying creature. On this consideration only, can he securely lay down his head, and close his eyes.
There is a saying, 'Eyes are the windows to the soul.' It means, mostly, people can see through someone else by eye contact in seven seconds. I have a habit that if I meet someone I don't know, I'd like to look at her or his eyes on purpose. When my eyes lay on them, I can immediately see their true color.
So this is what I am Pondering his eyes that could not Conceive that I was a creature to run from I who have always believed too much in words
But if you had asked him what his work was, he would look candidly and openly at you with his large bright eyes through his gold pincenez, and would answer in a soft, velvety, lisping baritone: "My work is literature."
I believe in that line from An Imperial Affliction. 'The risen sun too bright in her losing eyes.' That's God, I think, the rising sun, and the light is too bright and her eyes are losing but they aren't lost.
Maybe he sees it on my face, that fraction of a second when I let my guard down, because in that moment his expression softens and his eyes go bright as flame and even though I barely see him move, suddenly he has closed the space between us and he’s wrapping his warm hands over my shoulders—fingers so warm and strong I almost cry out—and saying, “Lena. I like you, okay? That’s it. That’s all. I like you.” His voice is so low and hypnotic it reminds me of a song. I think of predators dropping silently from trees: I think of enormous cats with glowing amber eyes, just like his.
He looked at her and for a moment she lived in the bright blue worlds of his eyes, eagerly and confidently.
And there is no living creature, though the whims of eons had put its eyes on boggling stalks and clamped it in a carapace, diminished it to a pinpoint and given it a taste for mud and stuck it down a well or hid it under a stone, but that creature will live on if it can.
We must never put our dreams of success as God's purpose for us; His purpose may be exactly the opposite. His purpose is that I depend on HIM and in HIS power NOW. His end is the process. It is the process, not the end, which is glorifying to God....His purpose is for this minute, not for something in the future. We have nothing to do with the 'afterwards' of obedience. If we have a further end in view, we do not pay sufficient attention to the immediate present; if we realize that obedience is the end, then each moment as it comes is precious.
The urge at that moment to reach across and touch Willow--to link his fingers through hers as she rested her hand on her thigh, or stroke her bright hair back from her temple--was almost overpowering. He crossed his arms over his chest. "Yep, definitely time for a coffee break," he said, closing his eyes. "You see right through me.
She felt like a chess player who, by the clever handling of his pieces, sees the game taking the course intended. Her eyes were bright and tender with a smile as they glanced up into his; and her lips looked hungry for the kiss which they invited.
A faint light burned in the pit revealing a furry creature hunched over a stone slab, fiddling with something. At first Gregor raised a warning hand. He thought it was a rat. Then the creature lifted his head and Gregor recognized what was left of his dad.
Sean looks at me then, his eyes bright, in a way that makes me feel out of sorts. I glare back.
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