A Quote by John Keats
Dance and Provencal song and sunburnt mirth! On for a beaker full of the warm South, Full of the true, the blushful Hippocrene! With beaded bubbles winking at the brim, And purple-stained mouth.
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I bring you this stately matron named Christendom, returning bedraggled, besmirched, and dishonored from pirate raids in Kiao-Chow, Manchuria, South Africa, and the Phillipines, with her soul full of meanness, her pocket full of boodle, and her mouth full of pious hypocrisies. Give her soap and a towel, but hide the looking-glass.
Towns are full of people, houses full of tenants, hotels full of guests, trains full of travelers, cafés full of customers, parks full of promenaders, consulting-rooms of famous doctors full of patients, theatres full of spectators, and beaches full of bathers. What previously was, in general, no problem, now begins to be an everyday one, namely, to find room.
I get imaginative with a mouth full of adjectives,
A brain full of adverbs, and a box full of laxatives,
Shittin' on rappers, causin' hospital accidents.
There is a beautiful spirit breathing now Its mellowed richness on the clustered trees, And, from a beaker full of richest dyes, Pouring new glory on the autumn woods, And dipping in warm light the pillared clouds. Morn on the mountain, like a summer bird, Lifts up her purple wing, and in the vales The gentle wind, a sweet and passionate wooer, Kisses the blushing leaf, and stirs up life Within the solemn woods of ash deep-crimsoned, And silver beech, and maple yellow-leaved, Where Autumn, like a faint old man, sits down By the wayside a-weary.
An intelligent man, a man who has a little meditative consciousness, can make his life a beautiful piece of art, can make it so full of love and full of music and full of poetry and full of dance that there are no limitations for it. Life is not hard. It is man's stupidity that makes it hard.
...Why are all these masks winking?" Jason pointed around the room with his fork. The loremaster dabbed at his mouth with a frilled purple napkin. "One eye is open to all truth, the other closed to all deception.
She’s got an indiscreet voice,” I remarked. “It’s full of-“ I hesitated. “Her voice is full of money,” he said suddenly. That was it. I’d never understood before. It was full of money-that was the inexhaustible charm that rose and fell in it, the jingle of it, the cymbals’ song of it.
Purple as tulips in May, mauve into lush velvet, purple as the stain blackberries leave on the lips, on the hands, the purple of ripe grapes sunlit and warm as flesh.
What is this life if, full of care,
We have no time to stand and stare.
No time to stand beneath the boughs
And stare as long as sheep or cows.
No time to see, when woods we pass,
Where squirrels hide their nuts in grass.
No time to see, in broad daylight,
Streams full of stars, like skies at night.
No time to turn at Beauty's glance,
And watch her feet, how they can dance.
No time to wait till her mouth can
Enrich that smile her eyes began.
A poor life this if, full of care,
We have no time to stand and stare.
My soul is full of whispered song,-My blindness is my sight;The shadows that I feared so longAre full of life and light.
I read in announcements of deaths 'peacefully in his sleep' and I wonder how many of those are true. Maybe they are just conventional. I hope they are true whenever I read it of someone. [But] I would rather be awake. Peacefully awake, brim full of some calming drug that was seeing me out of the door, having said my farewells.
While snow the window-panes bedim,
The fire curls up a sunny charm,
Where, creaming o'er the pitcher's rim,
The flowering ale is set to warm;
Mirth, full of joy as summer bees,
Sits there, its pleasures to impart,
And children, 'tween their parent's knees,
Sing scraps of carols o'er by heart.
If Bacchus ever had a color he could claim for his own, it should surely be the shade of tannin on drunken lips, of John Keat's 'purple-stained mouth,' or perhaps even of Homer's dangerously wine-dark sea.
The best thing we've learned is when you are attempting to write a full song, write a full song that day. When we first started, we would have great ideas, but there's something about a moment and a vibe that's being created in time that when you return to it, it sometimes works, and it sometimes doesn't.
It is a strange world, a sad world, a world full of miseries, and woes, and troubles; and yet when King Laugh come he make them all dance to the tune he play. Bleeding hearts, and dry bones of the churchyard, and tears that burn as they fall -- all dance together to the music that he make with that smileless mouth of him.
If you're in business, and you don't understand how that word of mouth works, you won't be able to take full advantage of it, how to get full adoption by getting that network to talk about you.
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