A Quote by John Kenneth Galbraith

We have escapist fiction, so why not escapist biography? — © John Kenneth Galbraith
We have escapist fiction, so why not escapist biography?
The cry that 'fantasy is escapist' compared to the novel is only an echo of the older cry that novels are 'escapist' compared with biography, and to both cries one should make the same answer: that freedom to invent outweighs loyalty to mere happenstance, the accidents of history; and good readers should know how to filter a general applicability from a particular story.
Fake realism is the escapist literature of our time. And probably the ultimate escapist reading is that masterpiece of total unreality, the daily stock market report.
It's time to start recognizing that not all escapist entertainment is created equal. And that some of it isn't even entertainment. "Miss March" is, to use the vernacular of the escapist moviegoer, the biggest pile of crap I've seen in ages.
All serious art is being destroyed by commerce. Most people don't want art to be disturbing. They want it to be escapist. I don't think art should be escapist. That's a waste of time.
One filmmaker makes films that are deep, intellectual, profound and confrontational. And the other one makes purely vacuous, escapist films. I'm not sure the one who makes escapist films is making a poorer contribution than the one who makes the deeper films.
I like big escapist films. It's odd because the type of comedian I am and the things I do when I'm writing and directing myself usually deal with the darker side of the human psyche and excruciating social faux pas. I often deal in taboos and the subjects I do as a stand-up are quite challenging. But my film roles have been much more fun and escapist.
Popular escapist fiction enchants adult readers without challenging them to be educated for critical consciousness.
I don't see why escapist literature shouldn't also be a work of art.
I feel that humor, just like Fred Astaire dance numbers or these lightweight musicals, gives you a little oasis. You are in this horrible world and for an hour and a half you duck into a dark room and it's air-conditioned and the sun is not blinding you and you leave the terror of the universe behind and you are completely transported into an escapist situation. The women are beautiful, the men are witty and heroic, nobody has terrible problems and this is a delightful escapist thing, and you leave the theater refreshed.
The Sims is an escapist vehicle for people who want to escape to where they already are, which is why I thought this game was made precisely for me.
It seems to me that making escapist films might be a better service to people than making intellectual ones and making films that deal with issues. It might be better to just make escapist comedies that don't touch on any issues. The people just get a cool lemonade, and then they go out refreshed, they enjoy themselves, they forget how awful things are and it helps them - it strengthens them to get through the day.
I'm against escapist entertainment.
Fantasy is escapist, and that is its glory
I'm an escapist kind of writer.
I think a lot of pop music is escapist.
When I was a teenager I was a total romantic escapist. My world was books.
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