A Quote by John Knoll

On every show, there's some amount of work that is brought to some state of completion - or even finished - and then cut out of the movie. — © John Knoll
On every show, there's some amount of work that is brought to some state of completion - or even finished - and then cut out of the movie.
When I'm editing, I tend to cut, go back over it, cut, go back over it, cut, so by the time I'm done, even with a cut, I don't have a rough cut and then work on it so much. I have a pretty rigorous cut of the movie that's usually in the range of what the final movie is going to be. It doesn't mean I don't work on it a lot after that, but I get it into a shape so I feel I can really tell what it needs, or at least it's ready to show people.
In life, satisfaction is experienced when activities are brought to a state of completion. Loss of energy and loss of control are functions of incompletion. The result of completing things releases one's ability to create. Prioritize any items that need to be completed, set a completion date, then do it.
It's like you might have some great scene that you love but for some reason - and you can't necessarily put your finger on it - the movie's not working or it seems slow or ponderous in some way, and even though it has your favorite scene in there, actually the favorite scene is the culprit. That's the painful thing about editing, is trying to locate those things that are holding the movie back and then having the guts to cut them. And it is painful to do it.
But how is it now? All we get is orders; and the laws go out of the state. Them legislators set up there at Austin and don't do nothing but makes laws against kerosene oil and schoolbooks being brought into the state. I reckon they was afraid some man would go home some evening after work and light up and get an education and go to work and make laws to repeal aforesaid laws.
I try and write a fair amount in the beginning without the movie. And then when I do get the movie I create these demos, just mock-ups, and I throw them up against the picture and some of it sticks and some of it doesn't. But I'm very careful before I play anything to picture, because that's such a profoundly important moment.
I finished The Freebie, which was a small relationship "talky" movie, and I was like, "I just want to get out of the house! And I want there to be some action, and I want some tension in there!"
You put some things out there. Some work, some don't, and then one really takes off, and that pays for your failures. Then you go on to the next one.
I was in a state of gnawing, sensuous agitation that excited continually both blood and nerves when I sketched out the music for 'Tannhauser' and brought it to completion.
You know, I go to work in a great office every day, and the amount of freedom that goes with being a pro golfer on the tour is awesome. So I get to enjoy my weeks off away from the course, and then I get to go to work on some of the best golf courses in the world out here.
Ascension seemed at such times a natural law. If one added to it a law of completion - that everything must finally be made comprehensible - then some general rescue of the sort I imagined my aunt to have undertaken would be inevitable. For why do our thoughts turn to some gesture of a hand, the fall of a sleeve, some corner of a room on a particular anonymous afternoon, even when we are asleep, and even when we are so old that our thoughts have abandoned other business? What are all these fragments for , if not to be knit up finally?
We may know that the work we continue to put off doing will be bad. Worse, however, is the work we never do. A work that’s finished is at least finished. It may be poor, but it exists, like the miserable plant in the lone flowerpot of my neighbour who’s crippled. That plant is her happiness, and sometimes it’s even mine. What I write, bad as it is, may provide some hurt or sad soul a few moments of distraction from something worse. That’s enough for me, or it isn’t enough, but it serves some purpose, and so it is with all of life.
The laws of nature tell us there's a finite amount of any substance on the face of the earth, and at some point, that's going to run out. And if we're smart and we have some grace and we have some willingness about our destiny, then we will take ourselves into the renewable world.
It's different for every project. Some parts are quicker than others to get and know; sometimes right up until the last moment you're just praying that something will click. But you can only do a certain amount of work and then at some point you've got to think: 'OK, I'm just going to have to leap now.'
If I have a jump rope and a resistance band, I can work out anywhere. Even without a jump rope. If you do 200 jumping jacks, then drop and do some crunches, and then do some squats, you're good.
Human nature and deliberate effort must unite, and then the reputation of the sage and the work of unifying all under Heaven are thereupon brought to completion.
I work out every day, but my idea is to make something short. I work out a maximum half hour. I only do like 20 minutes of cardio, and I do some stretching and some light weights, and I'm out of there.
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