A Quote by John Knoll
'Phantom Menace' was a huge project. It was the biggest visual effects production ever done at that point, and it was a little scary how big it was and how many unknown technologies had to be developed to do that work.
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In high school and college, I'd set a bunch of goals for myself. I wanted to be the lead effects supervisor on one of these really big, innovative visual effects productions, something on the scale of a 'Star Wars' movie. And I wanted to work on a project that wins the Academy Award for best visual effects.
One of my first things I was fascinated with when I got on set was how does Grant do all this Flash stuff? it looks so good as the end product, but how does the special effects team work? How does the visual effects team work?
Our friends - how distant, how mute, how seldom visited and little known. And I, too, am dim to my friends and unknown; a phantom, sometimes seen, often not. Life is a dream surely.
Acting is primarily is where I want to go. But seeing how the visual effects guys work, and the special effects guys and the art department guys, how they work and seeing their visions is really interesting. I don't think those guys get the recognition they deserve.
The idea of a musical comedy was something we had had in mind for many years, but the project 'Igudesman & Joo: A Little Nightmare Music' has a history that goes back five years. I can say that this is the most successful project that we have ever done.
After my mother died, I found, a little book of hers which recorded everything I had ever done, how I had done it, and how proud she was of her son Conrad.
Nobody ever thinks that the work they're going to do could ever be bigger than the one they do before, especially if you're lucky enough like I had to have such a huge thing as 'Phantom' was.
'Little Princess' was the first big movie that I did in America with big stages where we had kind of a different schedule to work. We had a great production designer, Bo Welch, and we had time to think about the movie in pre-production.
The biggest problem I had - and the biggest problem teenagers have - is not how they dress, how they look or how they act or talk. It's how they see themselves - their self-esteem. In the tenth grade, I realized I am who I am. I've got big ears and big feet. I can etiher sulk around or I can be happy with who I am. The minute I decided to be confident with who I was, all that other stuff stopped. It's all in the way you carry yourself.
I don't necessarily think there's a difference in terms of how the film industry and the ad industry view visual effects. If visual effects (or the lack thereof) are used as a tool to strengthen an idea, they're great. If they are meant to carry more of a load in the absence of a concept, they're a waste and a distraction.
There is no real scientific debate over what is happening; of course there is debate over exactly how it is going to play out in the decades ahead, because this is a large experiment that we haven't done before, and no one knows precisely how one can ever precisely predict what effects this heat will have. But all the science in the last few years, or almost all of it, really serves to show that the effects are larger and more rapid than we had thought even a decade ago.
At some point of time, Imman won't be in this world. But my biggest asset would be if my biggest hater had at least 100 songs that I composed in his playlist. That's how I know my work will continue to live.
For ages I thought I'd wasted my career doing visual effects, I wanted to be a filmmaker. And then I've learnt at the end of it all that actually visual effects was probably the best training ground I could have had.
The Phantom Menace is not a masterpiece, but it's an example of how imagination, craftsmanship, and technological bravura can fashion superior entertainment out of something that is far from flawless.
There's a certain time in the core of making a movie from pre-production to halfway through post-production I don't read any project, my agent will tell people that "he's not reading." And then when I know how the movie's probably gonna work halfway into post-production, I'll come along.
I would say the producer is the person who is there from the beginning to the end of the project. Either the person who creates, generates, or discovers the project, the person who performs many of the functions that are necessary to getting that project to the point where it is financed and then where it is in production, finished, marketed and released.
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