A Quote by John Krasinski
My favorite thing is watching people watch The Hollars movie and then come up to me and say whether they went through an experience like that or they went through an experience nothing like that, but it still was their mom or "that was my brother" or whatever it was - that's great.
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One thing that's been a great, uplifting experience through all this is, since the first "Pirates" [movie], the people who've gone to see the films, the audience members. You meet people on the street - whether they're 5, 25, 65 or 85 - they've all had the same experience, and they've all enjoyed it. So that's what keeps me moving forward in this crazy process.
People always ask me, 'I don't know how you could watch that, how that affects you,' and I just tell them, 'I went through it in real life, so it's like pilots watching a 'Top Gun' movie or cyclists watching a bicycle movie,' something like that.
I think that's my favorite thing about making scary movies, watching people watch them. When my films come out, I like to cinema hop and know what moments are coming up, I pop my head in and watch people squirm or slide down in their seats. I like that sadism!
I try to write into the heart of experience. Then, through the experience of the writing, that heart reveals itself to me. To write it down for others, as a door to go through it they choose, is the price of the experience, the price of the ticket. This is the demand that God, if you like, puts on you for being an artist.
I have had viewers that come up to me, and they're, like, "You know, we used to watch ('Breaking Bad') as a family, and once the melted body came falling through the ceiling, my mom was just, like, 'I can't watch this show anymore. This is just way too disturbing for me.' So it's not for everybody.
When I was 12 years old, someone took me to see Martha Graham. It was nothing like what I thought of as serious dancing and even then I knew I was having a great experience. It was as if somebody was moving through space like no one ever did before.
I think there's a lot of people going through different things where you feel like your whole world's imploded, and you feel like you lost it all, whether it's physical, emotional, whatever you're going through. If I can be that beacon of hope for people that need it the most through dancing and through our storytelling, then I've done my job.
There are films that I don't like, and then someone will come up to me and say it's their favorite movie. The movies belong to the people. You make them and you put them out. For me, I love the process of making films. For me, my favorite film is always my next one.
I started acting when I was five years old. I found it randomly, through listening to my brother study monologues. I auditorally started memorizing them for no reason, and started repeating them to anyone who would listen to me. And then, I begged my mom to let me do whatever that meant because I couldn't put into words exactly what that meant. It just meant me happy. And then, when I was 11 years old, I realized what I was doing and I looked to my mom and said, "Can I make this something I can do for the rest of my life?" She was like, "Yeah, sure, if you want to." And I was like, "Okay, great! I think I might want to do this forever."
I don't really get that nervous about whether people like it. You can't do anything about that. It's more technical. You spend two years of your life obsessing, picturing sound details, and you work so hard to make a movie a certain way, that you get there, and you're like - is it loud enough or whatever, so that this experience with everybody in this room is the fairest chance I can get. And then if you like it, cool, and if you don't, whatever.
I'm happy when people come up and say how they feel about what your character went through, you know, I went through and it's helping me deal with it. I get to see the movie through the audience's eyes and that's really gratifying.
My first experience with film was through a still camera. I would sit, very much against my will, with my father in the game reserve, watching some elephant or rhino or whatever, through a 400 millimeter lens and wait, and waiting and waiting.
A lot of people say if they could go back in time they would not change anything. But, to be honest with you, I like it and I don't like it. I like the fact that all I went through as a youngster made me a great man, but just goin' through what I went through - I wouldn't wanna go through that again. I wouldn't wish that on nobody.
Watching shows on Netflix is a different experience because most people are sitting there for three to five hours. Very few people even watch one episode. So it's not like a movie theater where you want to the movies to be shorter so you can go urinate. You can pause and urinate at home, and if something is longer, you're allowed to stop and eat breakfast and then watch eight more episodes.
When I got into the movie business, working with actors was the one thing I was really weak at. I didn't know what to say to actors. They scared me and intimidated me. The actors that I've worked with who have had a lot of experience, or who I've even grown up watching as a kid, were really scary. I was like, "What am I going to say to this person?" But, I've matured. It's fun. I understand what actors do now.
I wouldn't say it's to the point where I hate him or nothing like that because he's not with my mom or he wasn't there when I was growing up. He's my father whether I like it or not - he helped give me life. So I still love him and everything. Sometimes I wished he was with me, and other times I didn't.
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