A Quote by John Krasinski

To be an actor and a director, I actually felt it helped me tremendously to be in the scenes of The Hollars, because as you can see, they're very intimate, very intense scenes. You don't want to break the actor's character and you don't want to break their momentum, so as the actor, I tried not to call cut as much as I could, and almost make it feel like a play, just set this environment where these amazing actors could do what they wanted to do.
When I was younger, I was almost too afraid to admit that I wanted to be an actor. I didn't know any successful actors in Kenya, so I felt like I could get away with going to college to study film more easily than I could with saying, 'I want to be an actor.' That's what I did.
It was a very, very intense film for me. I almost lost my mind because there are scenes where I have to kill people, and that energy is absolutely overwhelming. At the same time, as an actor, you never play a character with judgment. It's not my place to judge the fact that she kills people. It's for me to look at her psychology to see what makes her do that.
Filming in Cloak & Dagger I was trying to get my Screen Actors Guild card. Everybody tries to get their SAG card if they want to be an actor. People might say that it was their dream to be an actor, but for me, I was a comedian. I already had a job. But I felt like there could be money there, and comedians don't make very much money, or they didn't in 1984.
I wanted to be an actor. Maybe a comic actor, but an actor. That's what got me into acting was putting on an act, because in life, I wasn't funny and I felt on stage or in the movies, I could do whatever I wanted to. I was free.
I don't just act, and that's really important to me. I don't want to just be an actor forever. I want to score movies. I could be an actor first, but I don't only want to be an actor.
You grow up loving movies, and your first instinct is you want to be an actor, because those are the people you see in the movies. But when you actually become an actor, you're like, 'Oh, wait, this is actually only a small portion of the storytelling. If I want to really tell a story, I'd want to be a director.'
I'm very old-school. I like a director to direct me. I like to be the actor. I'm not particularly fond of the hybrid writer-director, or actor-director. Writers, directors, actors are all such very different people. I think it's unusual that two of those people are in one human.
The beauty of the unexpected and unknown, and it's certainly very tantalizing for me as an actor. Other actors can't deal with that; they want to know, but then they make choices and decisions with that knowledge because that knowledge gives them forethought, and they can think about how they want to play something that takes away spontaneity of what they could be doing.
I knew I wanted to be an actor, and I didn't necessarily need or want to be famous or a celebrity actor. But I wanted to be somewhere where there would be no ceiling on what I could accomplish, and I felt like if I stayed in St. Louis I might have a really great regional theater career or something, but that I wasn't going to be able to get much further than that. And it felt like New York and L.A. were the two places where you could end up being a TV star or you could end up doing regional theater, which would have been fine as well.
In the scenes I try to be a giver as much as possible, giving the other actor something to work with. When not in the scenes I will stand in for eye lines to help the other actor with delivery and hopefully performance.
Actors can be very precious about their work and their scenes, but I think good actors have a strong understanding of narrative and are very often not as precious about that stuff. They just can't be because they understand what makes for a better film, and that it's the job of the actor to work toward that, and then if you want you can go to acting class or workshops. But making movies is not workshops.
My story about becoming an actor is a completely non-romantic one. I became an actor because my parents were actors, and it seemed like a very... I knew I was going to act all my life, but I didn't know that I was going to be a professional actor. I thought I was just going to work as an actor every now and then.
I am not a star. I am an actor. I have been fighting for years to make people forget that I am just a pretty boy with a beautiful face. It's a hard fight, but I will win it. I want the public to realize that above all I am an actor, a very professional one who loves every minute of being in front of the camera. But one who becomes very miserable the instant the director shouts, 'Cut!'
It's funny - when I first started as an actor, obviously there were long periods of being idle and all you want to do is work. So if I ever get the compulsion to feel like I should complain or feel like I want to take a break, I just remember how I was before and be very grateful for it.
I just don't think that I could be the kind of actor I want to be and not be honest with myself. Honesty is very important to me as an actor and as a person. I didn't even think about it.
Sometimes you do complete run-throughs of scenes, sometimes you break scenes down into little bits. It just depends on what the actors like to do. It's almost like jamming.
This site uses cookies to ensure you get the best experience. More info...
Got it!